Answer:
- North American birds
- Abstract images
Explanation:
While until 1820 American art was generally subordinate of European styles, Thomas Cole and the Hudson River School would build up a particular style of painting that featured the American scene, a subject that was later investigated and instilled with patriot topics by Albert Bierstadt amid his movements through the American West. The authenticity of Thomas Eakins and Winslow Homer looked to pass on law based qualities with unpretentiously courageous pictures of American life; Albert Pinkham Ryder and Henry Ossawa Tanner, then again, were less nationalistic, frequently pervading Biblical topic with a magical quality in their Symbolist style.
Mary Cassatt and John Singer Sargent, both known for their close late-nineteenth century representations, painted society subjects on the two sides of the Atlantic. Amid a similar time, Timothy O'Sullivan created extraordinary styles of narrative and scene photography, while socially inspired Jacob Riis prepared his focal point on New York City apartment life. In design, the Pentecostal styles of Neoclassicism and Neo-Gothic were utilized in the development of landmarks in the early 50% of the century, while the last observed the advancement of industrial technoques for structure high rises, most strikingly from the Chicago School.
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It was the "Homesteaders" who moved west in the latter half of 19th century in the United States due mostly to the fact that the federal government made land in the West incredibly cheap, since they wanted to encourage migration and settlement.
The American Revolution transformed American society into a nation founded on what was regarded as radical principles that subordinated the function of government to natural law. Viewpoint: No. The American Revolution was a conservative movement intended to preserve the existing social, political, and economic order.
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