the argument was that slaves were property and weren't actually people
This was a pull factor because it attracted immigrants to come to America.
Answer:
they get either passed or vetoed by the president
Explanation:
Before the beginning of the formal rule of the Britishers in India, there was a background
of Indo-European economic relationship. The British East India Company
sometimes referred to as “John Company”, was a Joint- Stock Company established
in 1600, as The Company of Merchants of London Trading into the East Indies.
During this time, other trading companies, established by the Portuguese, Dutch,
French, and Danish were similarly expanding in the region.
The British Company
gained footing in India in 1612 after Mughal emperor Jahangir granted the rights to
establish a factory (a trading post) in Surat to Sir Thomas Roe, a representative
diplomat of Queen Elizabeth Ist of England. The formal British rule in India is understood
to have commenced in 1757, after the Battle of Plassey, when the Nawab of
Bengal surrendered his dominions to the British East India Company. Henceforth the
British Company transformed from a commercial trading venture to a political entity
which virtually ruled India.
The right answer is the A: Symbolic and industrial.
<em>Song of the Towers </em>is one in the series of mural paintings <em>Aspects of Negro Life </em>(1934), created by African American artist Aaron Douglas (1900-1979), a great figure of the Harlem Renaissance. The murals trace the history of African Americans, up to their migration from the South to the North of the United States.
The mural is complex both in its formal aspects and in its meaning. A series of concentric circles and protruding and monumental prisms occupy the center of the composition, providing a lively and monumental frame to a jazz musician who is actively playing his saxophone. The Statue of Liberty is behind him, in the background. Although these symbolic elements seem to celebrate and relate African American heritage and culture and national identity, the images of two smoking factories and part of what it looks like a massive piece of industrial equipment, together with those of two exhausted African American workers, speak of the difficulties that African Americans encountered in those cities that promised progress and hope for the future.