A reference to Walt Whitman's "I Hear America Singing" => "I, Too". Langston Hughes' poem adds the African American identity to Whitman's list of ordinary people who constitute and contribute to American collective identity.
Paradox of social injustice => "I, Too". Hughes depicts the social inequality of black people, who are traditionally confined to servitude. He hopes, however, that this will change eventually.
Uses set meter and rhyme scheme => "From the Dark Tower". The poem's rhyme scheme is ABBA.
Symbol of wasted effort => "From the Dark Tower". Black people are the ones who plant, while white people reap.
Stone of anger and resentment => "From the Dark Tower". It depicts black people's anger at being constantly and systematically oppressed.
Uses free verse => "I, Too". Hughes' poem has a conversational tone. The free verse depicts the inner freedom that the speaker feels, and wants to transform into real freedom and equality.
Well, the answer is 1, or 4. I can tell you that, which one of the two do <em></em><em>you </em>think it is?
is unrelated to the word it modifies
William Butler Yeats[a] (13 June 1865 – 28 January 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served as a Senator of the Irish Free State for two terms. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others.
Yeats was born in Sandymount, Ireland and educated there and in London. He spent childhood holidays in County Sligo and studied poetry from an early age when he became fascinated by Irish legends and the occult. These topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood. From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature.
