c. because answer A is irrelevant because the piece of evidence is about how to count not about rocks. Answer B is also irrelevant because there is no proof that wind-wolf was forced to work instead of helping out. answer D has nothing to do with any of it because the evidence is about counting not that he is unhappy or wants to learn differently.
Answer:
- Signal listening.
Explanation:
As per the question, all the given options exemplify ineffective listening styles except for the 'signal listening' as it employs verbal signals to convey a particular idea or message to the readers effectively that the author repeatedly mentions in the text. These signals assist the readers to listen attentively/actively and understand the intended idea productively that would aid to elicit desired response/outcome from them. This listening style is most effectively employed by the author in the text. Thus, <u>'signal listening'</u> is the answer.
Answer and Explanation:
You did not provide the passage to which this question refers, for this reason, I will analyze the literary devices in the work as a whole. I hope it helps.
In most of the text, Shakespeare uses white verses that are those verses that do not have a rhyme. It does this to make the storyline more credible and allow human characters to speak more in a way that is realistic, allowing viewers to identify with them.
Shakespeare also makes a strong use of iambic pentameter, to show the characters that belong to the most noble and high social classes. That's because the iambic pentameter was a sophisticated way of using rhythm in a text.
Symbolism, on the other hand, was used to create a subjective, mysterious and unpredictable atmosphere, as it allowed the public to have different interpretations and to reason about the real meaning of what was happening.
Answer: ROW AFTER ROW WITH STRICT IMPUNITY
THE HEADSTONES YIELD THEIR NAMES TO THE ELEEMNT
THE WIND WHIRRS WITHOUT RECOLLECTION
IN THE RIVEN TROUGHS THE SPLAYED LEAVES
PILE UP OF NATURE THE CASUAL SCARAMENT
TO THE SEAONAL ETERNITY OF DEATH
THEN DRIVEN BY THE FIERCE SCRUTINY
OF HEAVEN TO THEIR ELECTION IN THE VAST BREATH
THEY SOUGH THE RUMOUR OF MORTALITY
Explanation:
WITH AN ODE THE POEM DOES NOT HAVE TO RHYME
HOPE THIS HELPS.
