Answer:
Leyster used tenebrism for added drama.
Picasso showed a single figure from multiple views for added drama.
Explanation:
- Cubism is preoccupied with the problem of the "object" that needs to be reconstructed, as opposed to the vagueness and impermanence of the Impressionist surface.
- Everything that relies on subjectivity or a particular and firm view must be eliminated in order to arrive at an overall, conceptual, complete variant of form ("If the senses deform, only the spirit forms").
- Picasso's statement: "I paint objects as I imagine them, not how I see them," supports this thesis. In Cubism, the influence of African art is also present, and the basis is the cube. The Cubists in the picture show simultaneously (at the same time) what we can really only see in succession (in the sequence of time, consecutively).
- Dutch Golden Age painter Judith Leyster often depicts middle-class Dutch people in work and in leisure in her paintings.
Answer:
We analyze this synthesis we are analyzing a "film's form."
Explanation:
Movies are the visual communication which further utilizes moving pictures and sound to tell the stories or may teach people some lesson. The movie focuses over the plot and easy answers. But a film tries to explore something more than itself. Movie says of depicts what exactly required. But the film forces the audience to grow in some way, to leave theater slightly better humans than when they came in.
Education is the start to having a good career night
