Answer:
Upset in a frustrated way when dealing with a ushering topic or person this could be verbal or physical people experience this emotion if many different ways hope this helped :)
Answer: d: the repetition supports the overall message of the poem
Explanation: the only one that makes sense
Answer: The sentences in this excerpt from John Barth's "Lost in the Funhouse" that show the postmodern element of self-reflexivity are 3) Initials, blanks, or both were often substituted for proper names in nineteenth century fiction to enhance the illusion of reality and 4) Interestingly, as with other aspects of realism, it is an illusion that is being enhanced, by purely artificial means.
Explanation: Self-reflexivity is a recurring element in postmodern literature. <u>Self-reflexivity consists in including passages or statements which aim to reflect about the language itself and the process of writing</u>. In that way, it functions as a literary device and <u>it focuses on dealing with the manners of composition</u>. In sentence 3, the author makes reference to literary strategies of the nineteenth century and, in sentence 4, he alludes to the writing process of realist writers.
Explanation:
Like most truly suspenseful and horrifying moment, whether in theatre, film, or television, what an audience imagines is far more gruesome than anything that they can actually watch. This makes the blinding far more effective offstage.
In addition, as all classical Greek plays were performed with masks, this made it possible for the actor to come back with a different mask to show the change and thus create a visual cue for the audience.
Answer: [D]:
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"<span>So what if I took "the road less traveled by" and added a one-year, scenic detour to my journey..." .
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