Answer and Explanation:
This question refers to the short story "Harrison Bergeron", by Kurt Vonnegut. Set in the future, the plot revolves around a strange type of equality imposed by the American government. People who are beautiful, talented, or intelligent, for example, are forced to wear handicaps to be ordinary. Harrison is a 14-year-old who wears several handicaps. One day, he escapes prison, rips his handicaps off in live television, and dances with a ballerina. However, they are both shot and killed by the Handicapper General, Diana Moon Glampers.
Imagine that Diana Moon Glampers had missed and that Harrison and the ballerina escaped. How might the story's plot have changed?
If Harrison and the ballerina had escaped, it is possible that the plot would develop toward their being chased down by the government. It is also possible that other people who were forced to wear handicaps might feel inspired by Harrison's action. Perhaps more and more people would begin to tear off their handicaps and join Harrison in his act of defiance.
Answer: A, B, and D are your answers
Explanation:
i took the test and got 100%
I believe the answer is A, Both poems explore the idea of pursuing new experiences.
The reason behind that, is simple. In the first poem, you can see that "The Lady of Shalott" had seen a boat, and went along the path which took her. In the second excerpt, there are interactions between the two, which lead them on a "broad steam".
I hope that I helped :)
I'd say that the statement from FDR's speeches that uses parallel structure is C. American ships have been sunk; American airplanes have been destroyed.
Both of these independent clauses use the passive form of the verb - in the first clause, the passive form of the verb <em>to sink </em>is used, and in the second, of the verb <em>to destroy.
</em>A parallel structure means that throughout a sentence, the same form of words is used, and given that here both sentences have passive forms, I'd say C is the correct answer.<em>
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D I think don’t trust me yet, it’s a maybe