The genuine catch of the setting of the story is the virtual African veldt. The place gets the most depiction. In addition, it's the title of the book. This enhances the importance of the African setting in the story. We hear about the hints of gazelle and the scents of the grass. Bradbury invests more energy informing us about the veldt than some other place, so we can't resist the urge to give it careful consideration.
The augmented experience room creates this Africa "to the last stone and bit of straw" (13). The description produced here is superior to anything; it resembles truly being there. Bradbury is cautious here to give us bunches of tactile data, similar to the essence of the scene: "The hot straw smell of lion grass, the cool green smell of the concealed water gap, the extraordinary corroded smell of creatures, the smell of residue like a red paprika in the sight-seeing" (17). What's more, these scents likewise attack whatever is left of the house.
The nursery happens to be too genuine, as George notes when he says, "This is excessively real." (15). In any case, despite the fact that the nursery is portrayed too legitimately, it is important to remember that it's yet virtual. Keep in mind, this nursery reacts to the kids' brains. So its virtual simulation educates us concerning the psychological reality going ahead in the children's minds.
