1answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
asambeis [7]
3 years ago
11

What types of relationships exist in nature?

Arts
1 answer:
Scilla [17]3 years ago
8 0
Competition & Predation, Commensalism, Parasitism, Mutualism,
You might be interested in
When holding your pencil to draw, you should avoid gripping it too hard
s2008m [1.1K]

Answer:

True

Explanation:

3 0
2 years ago
Which description about Post-Impressionist paintings by Vincent van gogh is true?
arsen [322]
Answer: they have brilliant colors
3 0
3 years ago
Read 2 more answers
Which drafting medium provides durability at an economic price?
weeeeeb [17]

Answer:

vellum

Explanation:

the other options are way too flexible and not durable at all. A vellum is the only one that is durable, though it is slightly expensive to make. Vellum paper is made from calfskin, so it is of a higher, more harder quality.

5 0
2 years ago
Read 2 more answers
How do we create musical texture? HELP ME!!!!!!!!!!!!!!!!!!!!!!!!PLZPLZ
AURORKA [14]

Answer:

Texture is one of the basic elements of music. When you describe the texture of a piece of music, you are describing the relationship of melodic and (sometimes) harmonic elements with each other. For example, the texture of the music might be thick or thin, or it may have many or few layers. It might be made up of rhythm only, or of a melody line with chordal accompaniment, or many interweaving melodies. Below you will find some of the formal terms musicians use to describe texture.

There are many informal terms that can describe the texture of a piece of music (thick, thin, bass-heavy, rhythmically complex, and so on), but the formal terms that are used to describe texture all describe the relationships of melodies and, if present, harmonies. Here are definitions and examples of the three main textures you will encounter in our class.

Monophonic

Monophonic music has only one melodic line, with no harmony or counterpoint. There may be rhythmic accompaniment, but only one line that has specific pitches.

Examples of Monophony

One person whistling a tune

A single bugle sounding “Taps”

A group of people all singing a single melody together without harmony or instrumental accompaniment

A fife and drum corp, with all the fifes playing the same melody

Polyphonic

Polyphonic music can also be called polyphony, counterpoint, or contrapuntal music. If more than one independent melody is occurring at the same time, the music is polyphonic.

Examples of Polyphony

Rounds, canons, and fugues are all polyphonic. (Even if there is only one melody, if different people are singing or playing it at different times, the parts sound independent.)

Much late Baroque music is contrapuntal, particularly the works of J.S. Bach.

Most music for large instrumental groups such as bands or orchestras is contrapuntal at least some of the time.

Music that is mostly homophonic can become temporarily polyphonic if an independent countermelody is added. Think of a favorite pop or gospel tune that, near the end, has the soloist “ad libbing” while the back-up singers repeat the refrain.

Homophonic

Homophonic music can also be called homophony. More informally, people who are describing homophonic music may mention chords, accompaniment, harmony or harmonies. Homophony has one clear melodic line; it’s the line that naturally draws your attention. All other parts provide accompaniment or fill in the chords. In most well-written homophony, the parts that are not melody may still have a lot of melodic interest. They may follow many of the rules of well-written counterpoint, and they can sound quite different from the melody and be interesting to listen to by themselves. But when they are sung or played with the melody, it is clear that they are not independent melodic parts, either because they have the same rhythm as the melody (i.e. are not independent) or because their main purpose is to fill in the chords or harmony (i.e. they are not really melodies).

Examples of Homophony

Choral music in which the parts have mostly the same rhythms at the same time is homophonic. Most traditional Protestant hymns and most “barbershop quartet” music is in this category.

A singer accompanied by a guitar picking or strumming chords.

A small jazz combo with a bass, a piano, and a drum set providing the “rhythm” background for a trumpet improvising a solo.

A single bagpipes or accordion player playing a melody with drones or chords.

5 0
3 years ago
Read 2 more answers
Question of the day!~ What's your favourite duo on you tube or tik tok!?
Alisiya [41]

Answer:

rhett and link for me! also dan and phil

6 0
3 years ago
Other questions:
  • PLEASE HELP ONEGAISHIMASU !!!!!!!!!!!!!!
    15·2 answers
  • If you were a modern artist what would your biggest influence be today
    9·1 answer
  • When was the Renascence period
    6·2 answers
  • List 5 jobs that happen in theatre that people might not think of as traditional theatre jobs? (I’ll mark as the brainliest)
    9·2 answers
  • mark had three bags of jelly beans if he ate 1/5 of a bag each day how long would his jelly bean supply last
    5·2 answers
  • What is the difference between chiaroscuro and tenebrism?
    15·1 answer
  • Do you consider graphic design art since computers have taken over much of the responsibility and even creativity? Why or why no
    8·2 answers
  • What is hierarchy proportion? How did the ancient Egyptians use hierarchy proportion? Pls answer!
    6·1 answer
  • Im failing in art....yea ART anyways can sumone give tips on how to draw better?
    9·2 answers
  • In the song, the twelve days of christmas, what gift is given on the third day?
    6·1 answer
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!