An example of allusion in The Great Gatsby is a reference to Midas, Morgan, and Maecenas when Nick describes his aim of learning about finances.
Allusions are a literary device that refers to a place, person, event, thing, and literary work to express huge meanings into one word or phrase. Allusions are helpful for a writer when it is familiar to the readers or else they could be misunderstood and ruin the impression and meaning of the writing.
An example of allusion in the statement of Nick Caraway is "I bought a dozen volumes on banking and credit and investment securities, and they stood on my shelf in red and gold like new money from the mint, promising to unfold the shining secrets that only Midas and Morgan and Maecenas knew".
The example of allusion, given in The Great Gatsby, explains that Nick is aiming for upward mobility by learning the finances. He is trying to make a career in finance and hoping for skills as good as Midas who converted everything into gold with his touch.
The reference to Morgan and Maecenas explains that Nick wants to be an expert in finances like JP Morgan in the American finances in the late 19th and early 20th century. He alludes to Maecenas who was an advisor to the first Roman emperor and patron to poets like Virgil and Horace.
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It is known as D. Serialism. Sometimes it is also called <span>dodecaphony.</span>
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Trueexperience was a composer's goal in writing classical-era opera.
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The still life pictures were one of the selective collections of the family kept as possessions cherished and treasured.
Illustration to reflect on it can be taken from Jan Davids de Heem as for an artist of still life. The art in particular portrayed food, jewelry, rich utensils, pair of parrots and a well laid elaborate table with different articles and things well spread on it.
These still life paintings were rich and attractive in colors and its representation giving out and projecting elaborate pictures, with all the possible detailing by the way of perfect strokes, bright colors come out as valid attraction and long-lasting impression on the viewers. The picture of still life was so made and patterned that it was not a vague creation and rather a planned drawing in itself to draw proper attention of the viewer and in the very manner so as to draw attention to the various aspects of the very picture of the still life.
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