This sonnet was one of the twenty new ballads in the 1856 release of Leaves of Grass. Like "Intersection Brooklyn Ferry," which showed up in the meantime, it commands a fellowship and a majority rules system in light of place. Here Whitman sets up the out-of-entryways as an idealistic, majority rule space, in which all men can meet up. In this poem, Whitman praises the out-of-entryways, and the street specifically, as space where men can meet up seriously, where status and social markers matter less. A street is something everybody utilizes, regardless of whether they are rich or poor, and it compels all levels of individuals to connect with each other. The street, besides, connotes versatility: one can take the street to someplace new, and in America that implies some place one can begin once again. For Whitman, as well, the street is a space for the social occasion the material for verse. As he goes along it, he sees an assortment of individuals and puts and hears a plenty of stories. He contends against remaining in one place for a really long time, in spite of the fact that the cordiality might be a bit, for just the trial of the open street will do.
In Song of the open road, One of the 3 devices is Rhyme, because it is like a song but in the version of a poem. Second is Alliteration, because it is repaeating some of the things over again. Finally is Iambic perminator, because it has unlimited lines in the poem.
This scene is very dramatic because the characters have drama in them. Milli is in a situation where there are no choices. She has to do what she is told but Ani is trying to convince her not.
<span> to convey the horrors and barbarity faced by millions of slaves due to the oppressive laws of the state to criticize the white population for celebrating liberty while enforcing slavery on the black population </span>
