Answer:
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
Explanation:
The lines selected above show the part of the poem where the speaker shows that he is having fun repairing the wall. We can see this because these are the only lines that present a tone of relaxation and joviality, which contrasts with the more serious tone presented in the previous lines. With this, we can see that the speaker sees this moment as a distraction and a novelty, which can be enjoyed and fun.
Portia is Brutus' devoted wife. She doesn't get a whole lot of stage time but we think she's an interesting figure, especially when it comes to the play's concern with gender dynamics.
When Brutus refuses to confide in Portia, she takes issue with his secrecy: as a married couple, she says, they should have no secrets.
Dear my lord,
Make me acquainted with your cause of grief.
[...]
Within the bond of marriage, tell me, Brutus,
Is it excepted I should know no secrets
That appertain to you? Am I your self
But, as it were, in sort or limitation,
To keep with you at meals, comfort your bed,
And talk to you sometimes? Dwell I but in the
suburbs
Of your good pleasure? If it be no more,
Portia is Brutus' harlot, not his wife.(2.1.275-276; 302-310)
In other words, Portia is sick and tired of being excluded from her husband's world just because she's a woman. She also suggests that, when Brutus keeps things from her, he's treating her like a "harlot [prostitute], not his wife."
Portia's desire to be close to her husband seems reasonable enough. But Portia also has the annoying habit of talking about women (including herself) as though they're weaker than men.
I grant I am a woman; but withal
A woman well-reputed, Cato's daughter.
Think you I am no stronger than my sex,
Being so fathered and so husbanded?
Tell me your counsels; I will not disclose 'em.
I have made strong proof of my constancy,
Giving myself a voluntary wound
Here, in the thigh. Can I bear that with patience.
And not my husband's secrets? (2.1.317-325)
Here Portia says she knows she's just a girl, but since she's the daughter and wife of two really awesome men, that makes her better than the average woman. To prove her point, she stabs herself in the thigh without flinching and demands that her husband treat her with more respect. Yikes! Later she kills herself by swallowing "fire," or hot coals (4.3). This is interesting because it's usually men who are prone to violence in the play.
History Snack: When Portia says she knows she's just "a woman" but she also thinks she's "stronger" and more constant (i.e., steady and masculine) than most, she sounds a lot like Queen Elizabeth I (Shakespeare's monarch) who famously said "I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king" ("Speech to the Troops at Tilbury", 1588). Queen Elizabeth I, like Portia, buys into the idea that women are weaker than men but also presents herself as the exception to the rule.
hopefully this helps
Answer:
The object that can be both impervious and translucent is Glass
Explanation:
The question is not complete since it does not provide the options to answer it, here are the options:
*Glass
*Cardboard
*Wood
*Steel
The definition of the two adjectives that are asked to define the object are impervious and translucent, this means that the object has to allow light to pass through it but not liquids, taking this in consideration Cardboard, wood and steel lack at least one of the options as none of them is translucent or present any level of transparency.
Answer:
the answer is A. In what ways did Helen Keller experience the world differently after she learned words?
Explanation:
The question that leaves Brutus sleep-deprived at the beginning of Act 2 is when he asks Lucius what day it was. It made him awake thinking about his plan to kill Caesar. He thinks that the leader as become corrupt and unreliable.
