The motif of marigolds is juxtaposed to the grim, dusty, crumbling landscape from the very beginning of the story. They are an isolated symbol of beauty, as opposed to all the mischief and squalor the characters live in. The moment Lizabeth and the other children throw rocks at the marigolds, "beheading" a couple of them, is the beginning of Lizabeth's maturation. The culmination is the moment she hears her father sobbing, goes out into the night and destroys the perfect flowers in a moment of powerless despair. Then she sees the old woman, Miss Lottie, and doesn't perceive her as a witch anymore. Miss Lottie is just an old, broken woman, incredibly sad because the only beauty she had managed to create and nurture is now destroyed. This image of the real Miss Lottie is juxtaposed to the image of her as an old witch that the children were afraid of. Actually, it is the same person; but Lizabeth is not the same little girl anymore. She suddenly grows up, realizing how the woman really feels, and she is finally able to identify and sympathize with her.
Answer:
Marlo is the hero of "Heart of Darkness."
Explanation: I just assume this is right because he is on a journey looking for Kurtz?
Unfortunately you forgot to attach the text, that's why you can't get the answer. I know about which excerpt you are talking about it is " <span>A Hanging (1931)
from Fifty Orwell Essays by George Orwell"</span>, and I suggest you using this option :The execution of the prisoners is viewed as a routine task. Next time check it carefully.
From the answers given.
I would go with D, as Non-fiction isn't locked to politics or science; It's moreover use to categorize literature (books, etc...) that are based solely on fact.
