Proctor believes that since he warned Mary to avoid Salem, the court is unqualified to judge him.
How has Mary Warren changed?
She won't follow John Proctor's orders. She has greater self-assurance and isn't a scared, timid servant.
In Arthur Miller's drama The Crucible, Mary Warren appears as a character. She works as John Proctor's maid and, in accordance with historical accounts, is one of the accusers in the Abigail Williams-led Salem witch hunt. Mary Warren has a very weak character and frequently caves in to pressure.
Mary Warren is instructed by Proctor to testify against Abigail in court. Mary Warren confides in Proctor that she worries Abigail and the others would turn on her if she testifies against them.
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The context clues show that the author believes the audience B. They have limited familiarity with publication and need a variety of advice.
<h3>What are context clues?</h3>
It should be noted that context clues are the hints that are given in a literary work to help readers understand a story.
In this case, the context clues show that the author believes the audience have limited familiarity with publication and need a variety of advice.
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I would say that C is the best
In an extended and well-developed metaphor, Blaeser compares the rituals to a loop. In the first paragraph, it is the loops of curly hair that can't ever be brushed and tamed. Any attempt at doing that will cause pain, and fingers can't go through them without getting stuck. She then proceeds to explain that "family, place, and community" are the loop of our identity. We can't get hold of it, we can't unravel it, but we will always be compelled to return to it. They constitute our private "rituals of memory". Those rituals are connected, repeated, and intertwined just like braids of curly hair. If we were to cut them, we would destroy our own identity.