1) Italian Futurists were fascinated with politics.
2) Boccioni was interested not in construction of the body but construction of the action of the body.
3) The work of the Futurists was a manifestation of authoritarian politics.
4) Marinetti, the founder of Futurism, hated the past.
5) One of their major themes was movement and speed.
6) White on White was the pinnacle of the suprematist movement.7) Kasimir Malevich’s famous 1915 painting of a square was the color black. Black Square is considered to be the iconic work of Kasimir Malevich.
8) Malevich believed his colored shapes could convey the awe of religious experience.
9) Malevich said that the War was not important in art. Even though the suprematist movement as introduced during the First World War, Makevich thought that war affects people in bad ways while art can affect people only in good ways.
10) Malevich believed that the only thing that mattered was object feeling.
The answer is iconography:)
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
