Dictatorship
...............................................
1. people died
2. there was anger in france
3. an old man died that day probs
4. a child was born in france
5. someone was reading a book
6. someone bought candy
7. someone got hacked by sombra
Answer:
An IRB shall have authority to suspend or terminate approval of research that is not being conducted in accordance with the IRB'S requirements on that has been associated with unexpected serious harm to subject.
Explanation:
IRB'S should limit their actions to those incorporated into the regulations, its tempting so succumb to mission creep and to impose requirements on investigators above and beyond the IRB's charge. For example: an URB may try to impose requirements on issues such as whether or not an investigator may include a subject or their data as part of an analysis, investigators may not claim that the research had IRB approval for there activities when seeking to publish or use the data.
The correct answer to this open question is the following.
The way in which we remain true to ourselves as we move in and out of different communities, cultures, and contexts is by really believing in our foundations and moral pillars that were taught by our parents since we were children. We need to be convinced that the teachings we receive and the culture we had since childhood is proper for our lives.
Of course, we have to maintain an open mind to acknowledge that other people and other communities have their own valid culture; the by-product of their own history and customs.
And that is the beauty of diversity. To have many different things to learn from and to choose from. If we like it and find it useful, we choose it. If not, we discard it. But always, with absolute respect.
Answer:
Wholesome in the most “pull yourself up by your bootstraps” brand of mythical Americanism, “12 Mighty Orphans” is engineered to rouse emotions with uncritical pride, never reaching the less immaculate corners of the historical period it employs as canvas.
As schematic as they come, this is a movie about football innovation and good people helping parentless teenagers transition into more self-confident young men. Reworked from Jim Dent’s novel, about the real 1930s-1940s Mighty Mites team from the Masonic Home and School of Texas, this on-screen reformatting directed by Ty Roberts is competently pedestrian.A country emerging from the Great Depression serves as backdrop. President Roosevelt has put the New Deal in motion and the nation thirsts for hopeful stories that speak of a better tomorrow for all. Enveloped in that sentimentality is teacher, coach, and war hero Rusty Russell (Luke Wilson). He moves his family to an orphanage, the Masonic Home, to impact the resident boys’ lives through academics and, more vehemently, on the field.
Deployed early on and repeated throughout, bombastic editing choices call back to Rusty’s days on the battleground, creating visual parallels between war and football. These bits, which intermingle archival footage and black-and-white reenactments, cheapen the otherwise visual pleasantness of David McFarland’s cinematography (even if he likely shot those unfortunate snippets too). The majority of the boys we meet, including the ones that make the cut for the dozen in question, don't get much of a backstory; some never even speak. Hardy Brown (Jake Austin Walker), the requisite unruly sheep, is the notable exception. Following both biblical parables and clichés pertinent to movies about coaches and underdog teams, he is the prodigal child that eventually comes around proving himself indispensable. Without Rusty saving him, he’s the MVP that could have easily gone MIA.
Pent up anger permeates Walker’s performance. His dangerous self-destructiveness and pessimism give “12 Mighty Orphans” a slightly edgier tone. He cuts through Russell’s saccharine determinism, in spite t characters.
Explanation:
