Answer: had switched / made
Explanation:
The options are:
had switched / made
has switched / has made
switched / had made
switched / had made
James Bond always drank champagne in the novels, although he (had switched) to wine by the time he (made) it to the silver sscreenm
Answer:
It engages the reader's personal sympathy.
Explanation:
yes
Answer:
lodicules- a small green or white scale below the ovary of a grass flower.
Explanation:
This is the only word I can think of that uses all of the letters.
<em>Answer:</em>
<em>False</em>
<em>Step by step explanation:</em>
<em>Conjunctive adverbs look like coordinating conjunctions (and, but, or, so, for, yet, nor).</em>
<em>Hope this helped you!</em>
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In "To Autumn," John Keat is using an accent, hence the "hath," "thee," "oft," and "thy." Susan Hartley Swett on the other hand isn't using a specific "accent." She is only describing July, not making any emphasis on an accent. In "To Autumn," John Keat is using an upbeat tone, vividly describing the reds and oranges or autumn, whereas in "July," Susan Hartley Swett is using a more mellow tone. As here, quoted from "July," 'Underneath petals pink till the night stars wink At the sunset in the sky, It's July.' Notice how soft her language is here. And quoted from "To Autumn," 'Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours.' See his more upbeat description of this season, and his impatience as well (Thou watchest the last oozings, hours by hours). In comparison, though, both are vividly describing with extremely descriptive language and style. You can literally picture yourself in their scenarios, under the soft stars in warm July, or feeling the crispness of Autumn.
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