Answer:
Overall, life in the West was much harder. For starters, the climate was extremely dry and hot, so it was hard to adapt when moving to Western lands. (Most people travelled by wagon, which was relatively easy along the flat terrain but got tricky when they arrived at the Rocky Mountains.) The harsh conditions meant there was a lot of work to be done. Every single person had a job to be done, and there was always some chore to do. In order to just survive, the entire family needed to pitch in. On the other hand, in the East, cities were thriving and growing as well as industries. People often traveled to the West to look for more manual work.
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This is true because Plessy v. Ferguson was a landmark 1896 U.S. Supreme Court decision that upheld the constitutionality of racial segregation under the “separate but equal” doctrine.
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When Assyrian mixed with Israelites still living in Israel, Samaritans
Explanation:
He was a populist member of the Democratic Party and rose to national prominence during the Great Depression for his vocal criticism of President Franklin D. Roosevelt and his New Deal, which Long deemed not radical enough.
Ektara (Hindi: एकतारा, Bengali: একতারা, Nepali: एकतारे, Punjabi: ਇਕ ਤਾਰਾ, Tamil: எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki Nepali: गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia,[1] and used in modern-day music of Bangladesh, India, and Pakistan.[1] It originated in South Asia.[1]
In origin the ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ektara is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabharata.[2]
It has two forms. One form resembles a lute. To make that version, a bamboo stick (90cm long) is inserted through side of wooden bowl (called a "tumbo") and the top of the bowl is covered with deerskin. The instrument has a single string running from a peg at the top, down the length of the stick-neck, across a bridge on the deerhide soundboard, and is tied at the "spike" where the stick pokes through the bowl. The instrument's string is plucked with the musicians index fingernail.[3][2]
The other version uses a drum-like body, and a skin soundboard with a string attached (to bend the sound of the soundboard). Two bamboo lathes are attached to the side of the drumhead and the string goes from the soundboard to where the lathes meet. This version of the instrument may be played either by plucking the string or by tapping the drumhead. Squeezing and releasing the bamboo lathes puts pressure on the drumhead and bends the pitch up and down. This form is associated with the Bauls of West Bengal, as well as the Tharu people of Udayapur District, Nepal.
