Gilman expresses her feelings about the role women had in society at the time using the literary form of allegory. Allegorizing her own challenges, she demonstrates how she chose art [writing] over difficult experiences with women.
Gilman conveys the woman's mental state through a variety of literary strategies. Personification, imagery, and similes are a few of these. Additionally, she employs terms with unfavorable meanings like fungus, destroy, and lurid. Gilman refers to the wallpaper most frequently in figurative language.
The wallpaper unmistakably stands in for the narrator's imprisoning structures of family, medicine, and tradition. Wallpaper is a lowly and domestic material, and Gilman deftly employs this nightmare-inducing paper as a representation of the household existence that ensnares so many women.
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Summary
An hour later, Walter’s loss of the insurance money fills the apartment with “a sullen light of gloom.” Asagai enters the apartment to visit Beneatha, who is deeply upset about the lost money. Beneatha explains the situation to Asagai and he asks her how she is doing. Beneatha responds, “Me? . . . Me, I’m nothing.” She then recounts the story behind her initial desire to become a doctor, telling Asagai of a childhood friend who was severely injured in a sledding accident. Beneatha tells Asagai that she was amazed that “one person could . . . sew up the problem, make him all right again,” although she states that she has now lost her youthful idealism.
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