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horrorfan [7]
3 years ago
6

which option identifies the context clue that would be most helpful in determining the meaning of the underlined word

English
1 answer:
Cerrena [4.2K]3 years ago
7 0

The option that identifies the context clue that would be most helpful in determining the meaning of the underlined word is remarkable no so much for...as for their senseless brutality, here we have a contrast with the use of the word as between  the descriptions, senseless brutality is a negative description and since we are talking about the use of comparison the meaning of munificence has to be positive according to the context.

In fact, munificence is a positive word it is a synonym of generosity, in this way the expression remarkable no so much for...as for their senseless brutality is the clue that helps you understand the meaning of the word.

The other options are not correct because they don't have a direct connection with the specific word we want to understand.

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I believe the answer you're looking for is C.

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Read the passage from "By the Waters of Babylon.” Then I saw their fate come upon them and that was terrible past speech. It cam
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The theme that best established the conflict in this passage is:

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What type of question can the bolded text help you answer?
navik [9.2K]
Interpretive

Hopefully that can help! :)
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3 years ago
How does the conflict between Helmer's private and
kozerog [31]

Answer:

The answer is: Helmer acts kindly towards Mrs. Linde while she is present, but insults her when she leaves.

Explanation:

This is a question from an excerpt from A Doll's House. To correctly understand this, let's read the excerpt below:

Helmer: Do you know, you ought to embroider.

Mrs. Linde: Really? Why?

Helmer: Yes, it's far more becoming. Let me show you. You hold the embroidery thus in your left hand, and use the needle with the right-like this-with a long, easy sweep. Do you see?

Mrs. Linde: Yes, perhaps

Helmer: But in the case of knitting-that can never be anything but ungraceful; look here-the arms close together, the knitting-needles going up and down-it has a sort of Chinese effect. That was really excellent champagne they gave us.

Mrs. Linde: Well, goodnight, Nora, and don't be self-willed any more.

Helmer: That's right, Mrs. Linde.

Mrs. Linde. Goodnight, Mr. Helmer.

Helmer (accompanying her to the door): Goodnight, goodnight. I hope you will get home all right. I should be very happy to-but you haven't any great distance to go. Goodnight, goodnight.

(She goes out; he shuts the door after her, and comes in again.)

Ah! At last we have got rid of her. She is a frightful bore, that woman.

In the excerpt above, we see how the conflict between Helmer's private and public selves develops the theme that appearances can be deceiving. In the presence of Mrs Linde, Helmer's attitude is kind and warm, but once she leaves, we see that Helmer infact does not like her. This is shown by his statement here "Ah! At last we have got rid of her. She is a frightful bore, that woman".

This shows how deceitful appearances can be because Helmer is showing the opposite of how he really feels towards Mrs. Linde.

Given the explanation above, the answer therefore is: Helmer acts kindly towards Mrs. Linde while she is present, but insults her when she leaves.

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