B, It is representational
Answer:
young members of a community center
Explanation:
Those professionals who work with non-clinical clients often work with adults whose goals are to lose weight or achieve fitness. These exercise physiologists often work at private fitness facilities, community organizations like the YMCA, or community recreation centers. Some physiologists work in intercollegiate athletic programs or professional athletic teams. Sometimes called strength and conditioning specialists, some non-clinical physiologists become self-employed and train world-class athletes. This is increasingly popular, particularly with teen athletes.
Answer:
C) melodrama
Explanation:
Melodramas in literature and drama have a significant effect and importance. Melodrama is one of the dramatic forms in which the emotions and feelings are exaggerated. The events, characters, and the setting have an exaggerated note. The emotions and excitement are focused largely and the audiences' emotions are evoked. In this form, the effect on the audience is laid more than any other form.
1. Sopranos 2. by blowing air though an instrument
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
