The rhetorical device that <span>is used in this excerpt from Mark Twain's "The Danger of Lying in Bed" is anecdote (assuming that your options are allusion, rhetorical question, anecdote, and logic).
There is no allusion to any other text here, so that is not the correct answer. There are also no rhetorical questions - questions that don't need an answer because it is implied. I guess there is logic, but it is not a rhetorical device really. So, I'd choose anecdote, because an anecdote is a short, interesting story from someone's life, as is the case here.</span>
The one difference between Shakespeare's Romeo and Juliet and Ugo
Falena's 1912 film version is that: "Juliet drinks the remaining poison from the cup." (Option C)
<h3>What is the Play Romeo and Juliet about?</h3>
The story of Romeo and Juliet is about a young hero and heroine whose families, the Montagues and Capulets, are bitter rivals.
Romeo and Juliet's intense star-crossed love leads to their deaths, which eventually brings peace to their families' relationship.
Hence, it is right to state that the one difference between Shakespeare's Romeo and Juliet and Ugo Falena's 1912 film version is that: "Juliet drinks the remaining poison from the cup.
Learn more about Shakespeare at:
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Answer:
By making a comparison between the girl and her brother
Explanation:
Answer:
A.
Explanation:
The pigs in the novel Animal Farm used deceit and lies for their own gain. In the disguise of Animalism, they brought the rules in the farm that were benefiting for them such as using beds of humans.
The first lie told by Squealer was that the pigs will have milk and apples for the sake of other animals of the farm, because, the management of the farm was on their head, so they need to take care of their health for their welfare.
The second lie was told by Napoleon about trading with humans. He deceived the animals that the trading was for growth of the farm and not as a commercial purpose.
They put all the physical tasks on the other animals in the farm, and leisured themselves.
