Titian worked almost exclusively in oil, which was a new technique at the start of his career. The medium allowed him to build up a series of glazes to depict the appearance and texture of the human form with an accuracy, delicacy, and softness which was innovative
Answer:
虐殺の背後にある男.
Explanation:
It's been so long,
Since last I've seen my son,
Lost to this monster,
To the man behind the slaughter.
Lowkey my fav. FNAF song
Stanza 1
Our poems diminished a specific distress. We drove each other to deliver our best. Despite the fact that verse we lived where neither one of the stills could go. Inside our verses we made it so.
Stanza 2
Inside our verses we made it so. We'd cruise on yachts and taste of fine Bordeaux. Tall pinnacles were climbed and lovely valleys crossed. We discovered experience, and our feelings of trepidation were lost.
Verse 3
In spite of the fact that verse we lived where neither one of the stills could go. We crossed treats and mountains topped with snow. Disregarding boundaries impeding us in life, By-passed, surmounted with no strife.
Verse 4
We drove each other to create our best. We walked through lyric structures as if had. We thought a considerable measure alike and wanted to share. I felt alone on occasion she wasn't there.
Verse 5
Our poems alleviated a specific distress. We relieved each other amid times of stress. At the point when things turned out to be excessively for her to shoulder. I just trusted it mattered I was there.
Hope this helps!
