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stiks02 [169]
3 years ago
10

Does Warhol's image of Marilyn Monroe achieve unity and balance? Why do you think he chose such strong and unnatural colors?

Arts
2 answers:
meriva3 years ago
8 0
Because he always used bright colours to make his images pop he was known for is pop artistry
Yuki888 [10]3 years ago
6 0

Answer:

    Following the death of Marilyn Monroe in 1962, artist Andy Warhol began painting a series of portraits of the diva, including Marilyn (1967).

    The same image of the actress - the black-and-white photo of the 1953 Torrent of Passion film - was the basis for all Warhol's engravings and paintings with the diva's face.

     In the original photo Marilyn was portrayed with fascination and carefreeness. However, the artist's alterations in the image create a series of distinct atmospheres and highlight the illusory nature of stardom. In some paintings the actress was portrayed as a religious icon, while in other works she appeared as a victim of the celebrity culture that brought her fame.

   The technique used in the work was screen printing, which had already been used by the artist in his commercial works. When he discovered that the method was also suitable for art, Warhol managed, according to himself, "the same image a little differently each time."

Marilyn's details stand out:

1. Lips:

In a traditional portrait, every care is taken to make the image look perfect. Here Warhol does the exact opposite: deliberately mimics printing defects. The pink colored area does not exactly match Marilyn's lips and the artist consciously stopped whitening his teeth.

2. Eyes:

The artist manipulated the original photo, exaggerating makeup in a parody of beauty conventions. Marilyn's shadowed eyes, as well as her lipstick, were brushed up with a rough layer of color. Also, your oxygenated hair has the same yellow shade of the eye.

3. Hairline:

Warhol struggled to make the real look unreal. A schematic line separates Marilyn's face from her hair. The face resembles a mask and the hair a wig, nothing in the picture looks genuine. The artificial look is further emphasized by the flat and artificial colors.

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Explanation:

Movies are distributed worldwide and in today’s world, they can be seen almost anywhere – from airplanes, over computers, to cinemas. Movies can be translated easily and there is a chance someone from across the globe will watch a certain movie. <u>The audience for movies is much broader and more global, so when making a movie the director should consider how will it be portrayed worldwide in different contexts and on different screens</u>. They can be adapted to be shown to all age groups, all language groups, and all cultures. The movie audience is also not as active as the theatre audience – the production team and the actors do not witness the reaction right away. Also, the movie stays available for a long period, and when developing it one should consider how will it be portrayed to the audience in a few years. Therefore, <u>the audience for the movie is global, broad, and more passive.</u>

Play is presented to the local audience, in one certain theatre for a short period. There are not many plays that are distributed in other countries and it is harder to translate a play. <u>So the audience for the play is the local audience and the director should consider who is living in proximity to the theatre when developing the idea.</u> The play shown in the US will have to be limited to the experience of the US audience, while the French audience will have different demands and understand different cultural contexts. Also, <u>people who go today to the theatre are considered more well-off and invested in the play</u> – you can’t just accidentally catch the play on TV, you have to intentionally buy the ticket for it. So the developing team should consider how to attract people to go and buy the tickets more easily. <u>The expensive plays will be shown to the more high-standing audience, and small, local theaters will attract a more niche audience</u>. The audience can react immediately – whether they laugh or leave the theatre affects the momentary experience of the play. Plays are shown only for a certain period, so the play should be adapted limited to the present day and age. <u>Therefore, the director must consider which theatre the play is performed in, who can watch them play, what exact message and marketing should they use. The audience for plays is usually more mature, more invested, immediately participating, and from the specific local context.</u>

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