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VLD [36.1K]
3 years ago
11

Does Proko advises artists to use one-point perspective to make part of the composition pop forward, and two-point perspective t

o draw the viewer's eye deeper into the scene?
Arts
1 answer:
mars1129 [50]3 years ago
3 0

<u>Answer:</u>

<em>One Point Perspective is a kind of straight viewpoint that uses a solitary disappearing point to make the fantasy of profundity in a show-stopper. </em>

<u>Explanation:</u>

There are a few strategies for direct viewpoint, however one-point is a solitary point of view and is the most straightforward. <em>One point viewpoint</em> expect the level, confronting planes of articles have no profundity yet the sides and <em>edges driving endlessly</em> from the watcher have profundity.

The craftsman needs just choose the vertical and flat estimations of each structure and associate them to a<em> solitary evaporating point. </em>

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Most flexible painting medium, used to create both thin, polished layers and thick, gestural brushstrokes
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I’d say this is most likely oil paint
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3 years ago
What is the three step process to fight bias?
sp2606 [1]

Answer:

Know the opponent, and kill it. Here, I'm worried about cognitive bias

Oh, HALT!

Using the framework for SPADE.

Go against your own inclinations

Select the precious from the useless  

Look for different viewpoints  

Look back to the past

Explanation:

6 0
2 years ago
Auteur theory ________. Group of answer choices considers films to be art, as they represent a realization of the director’s cre
Vlada [557]

Answer:

E). All of the other answers.

Explanation:

Auteur theory is described as the supposition that considers and offers more importance to the director as 'an author' instead of the screenplay writer as it is he whose artistic vision shapes a film and is reflected in it. He is the one who is the key creative force that supervises the audio along with the visual elements of a film and offers a consistent artistic outlook to the film. Thus, 'all the given options' would be correct in the context of 'Auteur theory' as <u>'it considers the film as an art which is the product of director's creative vision instead of the screenwriter' and 'it also highlights the characteristic elements of a film or selection of films, including both appearance and content</u>.'<u> </u>Thus, <u>option E</u> is the correct answer.

4 0
3 years ago
Romantic composers used which type of harmony to create exciting color and motion through expanded dissonance
Thepotemich [5.8K]

Answer:

chromatic harmony

Explanation:

Chromatic harmony means harmony (chords) which use notes which do not belong to the key the music is in (they are not in the key signature). Although Bach in the 18th century used chromatic harmony it was the 19th-century composers who used it more and more.

Whatever the emotion, Romantic composers sought to describe feelings and the deeper truths of life. In doing so, the emotional expression of the work was elevated and celebrated. The emphasis on feeling often led to fuller, richer melodies and harmonies, resulting in sounds that reflected greater emotion.

4 0
2 years ago
Read the story, “UnCommon Cents”. Do you think that Caitlyn will become a numismatist like previous generations of her family? C
baherus [9]

Answer:

“Maybe you can get a dollar. On a good day.” My heart sank. The really valuable coins, he explained, typically ...

<h2>EXPLANATION</h2>

it is too long story wait i will forward friends

I arrived at Martin’s Coins & Jewelry in South Burlington with a Ziploc bag full of old coins and fantasies of an early retirement. After my grandfather died, I inherited the foreign currency he’d accumulated over decades of travel: bills and coins from Israel, Morocco, Portugal and Venezuela, to name but a few. Surely somewhere amid all these lirot, francs, centimos and bolivares was something of real value.

John K. Martin Jr. was my go-to expert. A professional numismatist and coin dealer, Martin has 20 years of experience getting Vermonters top dollar for their rare and precious coins. Lately, about half his business has been buying and selling scrap gold and silver, jewelry, diamonds, and watches. The reason: The recession has cut into the number of coin collectors willing to shell out new green for old silver.

Martin’s shop, sandwiched between the Book Worm’s Exchange and Jiffy Lube on Shelburne Road, is small and unpretentious, with display cases full of Silver Certificates, Indian Heads and other minted oddities. I saw a 1955 “double die” penny, with dual images of Lincoln on its face. A 25-cent gold piece from 1872, valued at $2500, was about the size of my pinky nail. Another double die, an Indian Head from 1873, was listed at $5000. My palms started getting itchy.

Martin, 48, had agreed to review my collection. Naturally, I assumed the oldest coins were worth the most: French francs minted during the Vichy years, a pre-Franco Spanish peseta and a Haitian coin from 1908 all looked promising to my untrained eye.

Martin quickly burst my bubble. It really boils down to supply and demand, he explained. Coins may be very scarce, but if no one collects them, they have little or no value. He looked up one of my coins on the “gray sheet,” the weekly bible for serious collectors. Minted in 1937, it was from Norway and 80 percent silver. After tapping away on his calculator, he announced its market value: $3.30.

The news was even worse on the 1908 Haitian coin. “It starts in the catalog at a buck and a quarter,” Martin declared. “Maybe you can get a dollar. On a good day.” My heart sank.

The really valuable coins, he explained, typically contain gold or silver, like the South African Krugerrands and the Canadian Maple Leafs. They’re actively traded, “like the stock market,” and valuations can fluctuate $50 in one day.

Then there are the collectibles. Minting mishaps, such as the double dies and offset faces, can net you serious bucks, Martin noted, as can “waffled” coins, which somehow made it into circulation after the mint ran them through a press to destroy them. The “grade,” or condition, of the coin makes a difference, as does its “relief,” or detail. Either can swing a coin’s value from $26 to $20,000.

My coins? Only three had any precious metals in them, and none would spark the slightest interest in a collector over the age of 10. Martin suggested I sell them by the pound. Even at that rate, I’d be lucky to get 20 bucks for the lot.

Guess I should plan on working for a while.

SEVEN DAYS: Were you a collector as a kid?

JOHN MARTIN JR.: Not really. I was kind of a wheeler-dealer as a kid. I’d bring a bag of candy to school, pay 10 cents for a stick of gum and sell it for a quarter. I had my own business where I sold night crawlers. And I’d knock on people’s doors to see if they needed something, like their driveway shoveled.

SD: What’s your training as a numismatist?

JM: I went to Colorado for four summers in a row and took seminars on coin grading and counterfeit detection. That’s where I feel I have an edge on the competition. There’s a lot of guys who do this whose education is based on experience of just buying and selling, or books they’ve read.

SD: Is coin trading a regulated industry?

JM: It’s not. Anyone can put a sign outside their house that says, “We buy and sell coins.” It’s definitely a type of business where you need to do a little research before you sit down with someone and put your stuff out there, to find out how long they’ve been doing this, what’s their experience and where their education comes from.

SD: Are most coins bought and sold for the raw metal or for the collector value?

JM: You have bullion-related coins, and you have numismatic coins. Bullion-related coins are your Maple Leafs, your Krugerrands, your gold Eagles, that trade just over the spot price. But when you have numismatic coins, that means they have value substantially over and above their gold value. Some coins can bring 100 times their gold value. So, you got a $20 gold piece and it’s nearly one ounce of gold, it may be a $7000 or $8000 coin.

4 0
2 years ago
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