<span>Act V, scene I, is a moment of utter chaos. Some of the characters surrounding Viola think she is Sebastian, while others think she is Cesario. This case of mistaken identity sets in motion a series of complex situations. Viola is bewildered by other people’s reactions to her. Antonio mistakes Viola/Cesario for Sebastian and accuses her of stealing his money. Olivia thinks Viola/Cesario is tricking her by feigning ignorance about their marriage. She calls in the priest to testify, and Viola/Cesario earns the wrath of Orsino for allegedly breaking his trust. Sir Andrew wrongly thinks Viola/Cesario was in the duel that injured him, and he accuses her of attacking him. These complications all stem from Viola’s disguise. However, just as matters seem to be getting out of hand, Sebastian enters, and the problems are resolved.</span>
Answer:
The correct answer is: It is made up of a rhyme scheme of abab, cdcd.
Explanation:
In this sonnet, Shakespeare describes chronicles which contain some beautiful descriptions of the past where he notice the beauty of the youth and the young man.
The syntax of the Sonnet 106 is characterised by a specific rhyme scheme of abab, cdcd, as we can see from the excerpt above. In this excerpt, the first line is rhyming with the third (<em>time </em>rhymes with <em>rhyme</em>), the second line rimes with the fourth (<em>wights </em>rhymes with <em>knights</em>), etc.
When in the chronicle of wasted <u>time</u>
I see descriptions of the fairest wights,
And beauty making beautiful old <u>rhyme</u>,
In praise of ladies dead and lovely knights,
Then in the blazon of sweet beauty's <u>best</u>
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have <u>express'd</u>
Even such a beauty as you master now.
Answer:
the state or quality of being arranged neatly and in order.
