<span>Most human communication cannot be understood outside of the context in which it occurs</span>
In O'Brien's excerpt those sentences are: <span>In a way, it seemed, he was part of the morning fog, or my own imagination, but there was also the reality of what was happening in my stomach. This sentence evokes a bodily reaction and calls it "the reality". It is not just imagined; it really happens. </span><span>I tried to swallow whatever was rising from my stomach, which tasted like lemonade, something fruity and sour. It's as if his body has its own way of processing the distressing information. He feels a very specific kind of nausea, triggered by his mental processes.
In Steinbeck's excerpt it's these sentences: </span><span>In all kinds of combat the whole body is battered by emotion. The ductless glands pour their fluids into the system to make it able to stand up to the great demand on it. They describe a very physical reaction, which is a product of emotional distress. It's as if the body is trying to defend the whole system from detrimental factors.</span>
Answer: The parenthesis enclose words just as the wish bowl does to her.
Explanation: The shape of the parenthesis also support the idea of the shape of the fish bowl.
Answer:
Ebbs and flows in this context mean that human misery comes and goes.
Explanation:
The poem, Dover Beach, written by Matthew Arnold, uses the term 'ebbs and flows' to describe how human misery comes and goes. Ebbs and flows, in the context of sea movement, refers to the coming (flows) and going (ebbs) of the sea tides.
We can say that though hardships and miseries are experienced by all humans, eventually, it would all go away, drifting into the sea as we continue to live on and experience more happiness and betterment flowing in.
The stanza referred is this excerpt:
Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
