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Harrizon [31]
2 years ago
7

Why wouldnt the postmodern architect of the San Antonio Library want to continue his bold, red exterior design throughout the in

terior
A.The red colors will make visitors hungry
B.The red paint is too expensive to use on the interior
C. A red background will make it hard to hang artwork on the walls
D. The red will be too exciting and distracting to the calm library
Arts
2 answers:
garik1379 [7]2 years ago
6 0
Your best answer is D. The red color is too exciting and distracting. I believe this because we do not hear about the paints cost, paint does not influence the wall structure, and colors cannot make you hungry. I hope I helped, good luck!
Mariana [72]2 years ago
3 0
I believe the answer is, actually, D. The red will be too exciting and distracting to the calm library.

If you research the library, it is actually quite a colourful place, but the red on the inside, as well as the outside, would have been too much and indeed; distracting and exciting. 
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Answer:Thirty years ago, some roommates at the University of Michigan were drinking beers, watching reruns on Nick at Nite. Being bored, buzzed college students, one of them posed a question for discussion: "What was the precise moment you knew it was downhill for your favorite show?" One guy offered up the moment that little green alien, the Great Gazoo, appeared on The Flintstones. Another dude suggested it was when Vicki boarded The Love Boat. At last, Sean Connolly won the debate. "That's easy," he said. "It was when Fonzie jumped the shark."

Thus, in 1987, the term "jumping the shark" was born. It quickly became the perfect phrase to describe the moment when a TV show begins its nosedive from popularity or quality. Prior to this, the phenomenon was likely referred to as just "Cousin Oliver." However, in 1977, Happy Days opened its fifth season with a three-part episode titled "Hollywood," in which the entire gang heads from Milwaukee to Los Angeles for some fun in the sun.

The 90-minute special climaxed with one epic stunt. The Fonz gets into a beef with a local beach stud. They challenge each other to jump over a caged shark on water skis. The blond surf bro chickens out. Fonzie, towed by Richie Cunningham, then soars over the shark with the ease of people in Juicy Fruit commercials. Aaaayyyyyy!

Frank Fox, Jr., scripted the episode. Years down the line, the veteran screenwriter understandably became both defensive of and proud of his work.

“If this was really the beginning of a downward spiral,” Fox told The Los Angeles Times, “why did the show stay on the air for six more seasons and shoot an additional 164 episodes? Why did we rank among the Top 25 in five of those six seasons?”

He has a valid point. The greatest defense of Fonzie’s shark-jump NOT being the “jump the shark” moment of Happy Days is the sheer weight of the near seven full seasons of television that followed. Chronologically, it just doesn’t make sense. Viewership at the time did not drop off. In fact, the following year, in its sixth season, it was still the third most watched show on television.

There’s another reason the shark jump deserves a little respect. Henry Winkler did most of the water skiing himself. In a recent-ish interview on Oprah: Where Are They Now?, the actor revealed he was an avid water-skier — and even an instructor in the sport. Winkler’s father was the one who suggested that he push for his skill to be incorporated into the show.

“My father — a very, very, very short German person — he said, ‘Tell them you water-ski,’” Winkler explained to Oprah. “I said, ‘Dad, I probably won’t do that...’ He said, ‘No, no, no, this is important they know this! You tell them you water-ski!’”

Tada! The producers and writers indeed worked it into the vacation special. Winkler did all the water skiing, except for the jump. One, the producers would not allow him. Secondly, he could not perform that high leap. He was more of a wave rider.

So, “Hollywood” Part 3 did not trigger a downward ratings spiral. Also, the episode does hold some kitschy entertainment value and an impressive display of Winkler’s talent. If that is the case, it begs the question: What truly is the “jump the shark” moment of Happy Days, if not the actual shark jump?

We have some suggestions. Understandably, “jump the shark” stuck as a term because it is such an evocative turn of phrase. It's fun to say. Thus, we offer replacements that could be just as catchy to work into conversation.

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Answer:

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