Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
The answer to the question is c
Margot is quiet and meek l, but Anne insists on upon expressing her own opinions
Although Mrs. Mallard's hear trouble appears to refer only to a physical condition, her true trouble is that, despite the fact that she is married to a good man, she is unhappy because she does not feel free. In this sense, it is symbolic of the unease that this lack of independence brings her. Also, the mention of her heart condiion at the beinning ofthe paragraph anticipates her eventual death. At first, the reader might think that it is the news of her husband's death that will cause Mrs. Mallard's own decease, but what triggers her heart attack is the revelation that the news were false, and that she has lost all the freedom that she had just begun to envision.
The correct answer is 3.
These three are Old English, until the 12th century, Middle English, until the 16th century, and Modern English, since Shakespeare.
Antigone’s engagement to Haemon is the corect option. It is a very surprising part of the book because it is expected for Haemon to marry Ismene but he abruptly decides to be engaged with Antigone which is very <span>inexplicable</span>
