I'm like, way too obsessed with the 2000s and shouldn't know as much as I do. So, like, excuse me if I go a bit overboard here.
Fashion in the early 2000s was mainly form-fitting on the top (blouses were pretty big), while the bottom was more loose, like flared jeans or sagging your pants. Loose, trapeze type dresses (but like, structured on the top but completely unstructured past the bust. I don't think there's a name for that type of dress, it's just so weird and /such/ a fashion crime).
This started to change around maybe 2004-2005? ish when emo/pop punk started getting way more traction and Paris Hilton became a major style influence (like, I could write an essay about her genius. She influenced an entire dam/n generation and CREATED the Kardashians. What an icon). Jeans became tighter (if emo did anything right, it was getting rid of bell bottoms for good) and more low rise. Actually, severely low-rise (thanks, Paris Hilton). And the god awful whatever-the-heII-that-was dress was replaced by slip dresses (courtesy of our lord and savior, Paris Hilton again). Oh yeah, I also can't not mention the Juicy Couture tracksuits which were /huge/ in the early 2000s. (Also, I think tube tops were either early 2000s or mid-2000s, which was major because the partying scene literally exploded.)
TL;DR mostly form-fitting. If you need examples, just cite Paris Hilton or Juicy Couture.
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
<span>The correct answer is c. crenellation. The Colosseum has all three Greek orders (Doric, Ionic, and Corinthian) in its columns, it has many arches (think semicircular openings), and it has a post-and-lintel system (in which vertical elements -- like columns -- hold up horizontal elements, with large spaces between these two elements -- like arches). However, the Colosseum does not have crenellation, which is a battlement often seen on castles. A crenellation is a low protective wall on the roof of a building, with repetitive, squared openings from which people could shoot intruders. </span>
Answer: Pigments
Explanation: Most pigments used in manufacturing and the visual arts are dry colorants, usually ground into a fine powder.
