B-tuning his instrument ,would be the participle phrase
A. "When she ... lived there."
This line only defines a specific detail about how the special agent survived through a fake name as a spy. No central theme is described through this sentence.
B. "Baissac’s goal ... resistance groups."
This statement provides the agent’s motive and the way she enacted the task provided. However, that does not completely cover everything in the passage.
C. "Baissac did ... her tasks."
Significant work is not specific, and Normandy and traveling by a bicycle are smaller and irrelevant details, not the big picture that should be concluded from this passage.
D. "As a ... German troops."
This is the statement that definitely defines the central idea of the excerpt. When we break this line into sections, we can see that it illustrates that she performed multiple essential tasks when appointed in Normandy. The phrase “sometimes dangerous tasks” describes the critical nature of the job she handled in there. And, also the opposition (German troops) is clearly mentioned in this sentence which helps to convey the idea very clearly.
Answer:
Hunters
Explanation:
The author uses verbs like invading and capturing to make it seem like the photographers are "hunting" the lions.
Television was never one person's vision -- as early as the 1820s, the idea began to germinate. Certainly by 1880, when a speculative article appeared in The Scientific American magazine, the concept of a working television system began to spread on an international scale.
At the dawn of the twentieth century, there were a few American laboratories leading the way: Bell, RCA, and GE. It wasn't until 1927, when 21-year-old Philo T. Farnsworth, beat everyone to the punch by producing the first electronic television picture. This historic breakthrough catapulted him into a decades-long patent battle against major corporations, including RCA and CBS. The battle took its toll on everyone and RCA’s David Sarnoff brilliantly marketed this invention to the public and became known as the father of television -- while Philo T. Farnsworth died in relative obscurity.
Experimental broadcast television began in the early 1930s, transmitting fuzzy images of wrestling, music and dance to a handful of screen. It wasn't until the 1939 World's Fair in New York, where RCA unveiled their new NBC TV studios in Rockefeller Plaza, that network television was introduced. A few months later, William Paley’s CBS began broadcasting from its new TV studios in Grand Central Station.
Now that television worked, how could these networks profit on their investment? Who would create the programming that would sell their TV sets? How would they dominate this new commercial medium, without destroying their hugely profitable radio divisions?
