1. The answer is "Frank lloyd right".<span>
</span>Frank Lloyd Wright conveyed American design to the bleeding edge. His visionary manifestations were firmly affected by the common world, and he underlined craftsmanship while grasping innovation's capacity to make plan available to all. Wright was likewise exceedingly included with the insides of his structures, making decorations and other custom components, for example, recolored glass windows to upgrade the general plan.
2. The answer is "he was the architect of some of the most influential structures in american architecture."
Louis Henry Sullivan was an American designer, and has been known as the "father of skyscrapers" and "father of modernism". He is considered by numerous as the designer of the advanced skyscraper, was a persuasive engineer and commentator of the Chicago School, was a tutor to Frank Lloyd Wright, and a motivation to the Chicago gathering of draftsmen who have come to be known as the Prairie School. Alongside Wright and Henry Hobson Richardson, Sullivan is one of "the perceived trinity of American architecture".
3. The answer is "geometric patterns".<span>
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A geometric pattern is a sort of example framed of geometric shapes and commonly rehashed like a backdrop plan. Any of the faculties may specifically watch designs. On the other hand, dynamic examples in science, arithmetic, or dialect might be noticeable just by examination.
4. the answer is "craftsman style".<span>
</span>Especially in the United States, the Arts and Crafts Movement is known by a few different names, the most prominent being the Craftsman Style, advanced by Gustav Stickley (and, by expansion the furniture delivered by his siblings' adversary furniture firms), as publicized in his magazine The Craftsman, which is published during 1901 and 1916.
5. The answer is "asymmetrical design and strong colors".<span>
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Asymmetrical design can be one of the more muddled strategies to pull off, yet when done well outcomes in lovely and eye-getting plans. While the meaning of asymmetry is the absence of symmetry or uniformity between two parts; it's anything but an absence of adjust as some wrongly assume. Thus, asymmetrical design and strong colors are the characteristics which are typical of most designs from the arts and crafts movement.
Frederick William "Freddie" Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist. He was especially noted for his sophisticated rhythm guitar in big band settings, particularly for the Count Basie orchestra, where he was part of the "All-American Rhythm Section" with Basie on piano, Jo Jones on drums, and Walter Page<span> on bass.
I hope my answer has come to your help. God bless and have a nice day ahead!
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Based on the information, it can be noted that some of the subgenres that are not covered include road films, disaster films, superhero films, etc.
A genre simply means a style or category of music, art, or literature. Subgenre simply refers to a genre that's part of a larger genre.
From the complete information, the genre was about movies and some of the subgenres that are not covered include road films, disaster films, superhero films, etc.
Learn more about genres on:
brainly.com/question/1309721
Answer:
French Classicism
Explanation:
When baroque aesthetics prevailed in Europe, a peculiar classicism was reborn in France, whose moment of splendor from 1654 to 1715 occurred in the reign of Louis XIV. The painter Charles Le Brun and the writer Nicolas Boileau, author of L'art poetique (1674), a very influential work, officially imposed this style.
In the reign of Louis XIV, the desire to glorify royalty - proper to monarchical absolutism - gave way to a majestic and imposing style. Its architectural paradigm was the palace of Versailles, reformed and enlarged successively by architects like Louis Le Vau and Jules Hardouin-Mansart.
In 1667, the construction of the Louvre façade began with the architect Claude Perrault, “La Colonnada” (1664 - 1668). The pure French classicism that will mark the entire period of regency of this king.
