Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
My general description of such a person is someone, anyone who encourages and inspires others to appreciate the positive qualities of life, such as, good hygiene, health, gentleness, contentment, and safety. These qualities may seem dull or cliche to many people, but anyone who practices these qualities and appreciates these qualities does find life much more rewarding as opposed to so many people who destroy their life with addictions, negative attitudes, slovenliness, criminal activity, despair etc.
The correct answer for this question is this one: "Prufrock speaks because he is sure no one will hear him." The opening epitaph of the poem in Italian suggests that Prufrock speaks because he is sure no one will hear him. The introduction of the Italian poem is talking about Prufrock's capacity to speak.
Answer:
D
Explanation:
bore definition: make (a joke) in something especially with a revolving tool
Answer:
T, Beethoven was born into a musical family.
Explanation:
