Answer:
You may choose a work from the list below or another novel or play of literary merit.1996.The British novelist Fay Weldon offers this observation about happy endings."The writers, I do believe, who get the best and most lasting response from their readersare the writers who offer a happy ending through moral development. By a happyending, I do not mean mere fortunate events -- a marriage or a last minute rescue fromdeath -- but some kind of spiritual reassessment or moral reconciliation, even with theself, even at death." Choose a novel or play that has the kind of ending Weldondescribes. In a well-written essay, identify the "spiritual reassessment or moralreconciliation" evident in the ending and explain its significance in the work as a whole.1995.Writers often highlight the values of a culture or a society by using characters whoare alienated from that culture or society because of gender, race, class, or creed.Choose a novel or a play in which such a character plays a significant role and showhow that character's alienation reveals the surrounding society's assumptions or moralvalues.1994.In some works of literature, a character who appears briefly, or does not appearat all, is a significant presence. Choose a novel or play of literary merit and write anessay in which you show how such a character functions in the work. You may wish todiscuss how the character affects action, theme, or the development of othercharacters. Avoid plot summary.
381993."The true test of comedy is that it shall awaken thoughtful laughter." Choose anovel, play, or long poem in which a scene or character awakens "thoughtful laughter"in the reader. Write an essay in which you show why this laughter is "thoughtful" andhow it contributes to the meaning of the work.1992.In a novel or play, a confidant (male) or a confidante (female) is a character, oftena friend or relative of the hero or heroine, whose role is to be present when the hero orheroine needs a sympathetic listener to confide in. Frequently the result is, as HenryJames remarked, that the confidant or confidante can be as much "the reader's friendas the protagonist's." However, the author sometimes uses this character for otherpurposes as well. Choose a confidant or confidante from a novel or play of recognizedliterary merit and write an essay in which you discuss the various ways this characterfunctions in the work.1991.Many plays and novels use contrasting places (for example, two countries, twocities or towns, two houses, or the land and the sea) to represent opposed forces orideas that are central to the meaning of the work. Choose a novel or play that contraststwo such places. Write an essay explaining how the places differ, what each placerepresents, and how their contrast contributes to the meaning of the work.
Explanation:
Answer:
two independent clauses joined by a conjunction.
Explanation:
two sentences joined to make 1
Answer:
What coated the insides of Roman water pipes was mineral deposits.
Explanation:
Back in ancient Rome the water was rich in minerals, that would create a crust inside the aqueducts by deposition, coating the pipes and protecting the water from lead contamination.
Over time, the build-up of mineral deposits can clog the pipes, which requires periodic maintenance, in many cases the coating of the pipes could be accidentally removed.
Answer:
The difficulties of establishing in the new environment, the relationship with the natives, religiosity and colonialism are the most notable subjects in the literature of the first colonizers.
Explanation:
Literature is strongly influenced by the historical moment in which it is being established. This includes the literature written by the first colonized in North America, since through their texts, we can perceive a strong religiosity, mainly in relation to Puritanism, as a way to withstand the physical difficulties that the American environment presented to the pioneers. In addition, this literature presents the pillars of colonialism and the controversial relationship between Europeans and Native Americans.
