Answer:
According to Robert Atchley, he is in C. the honeymoon phase.
Explanation:
Robert Atchley developed stages of retirement:
- Planning
- Excitement
- Honeymoon: the individual feels there are a lot of opportunities and possibilities for him/her. He/she is finally able to relax and <em>enjoy the beginning of retirement.</em> It generally lasts a year.
- Disenchantment
- Reorientation and Stability
In this case, Rudy has just retired and he is enjoying his freedom and spending time traveling. He is at the honeymoon stage.
Answer:
Answer. The culture of Europe is rooted in the art, architecture, film, different types of music, economic, literature, and philosophy that originated from the continent of Europe. European culture is largely rooted in what is often referred to as its "common cultural heritage".Feb 25, 2020

I'd say false, they could have came in from Georgia or the other colonies that weren't spanish controlled territories.
Most. experience public satefy official
Answer:
Through the diverse cases represented in this collection, we model the different functions that the civic imagination performs. For the moment, we define civic imagination as the capacity to imagine alternatives to current cultural, social, political, or economic conditions; one cannot change the world without imagining what a better world might look like.
Beyond that, the civic imagination requires and is realized through the ability to imagine the process of change, to see one’s self as a civic agent capable of making change, to feel solidarity with others whose perspectives and experiences are different than one’s own, to join a larger collective with shared interests, and to bring imaginative dimensions to real world spaces and places.
Research on the civic imagination explores the political consequences of cultural representations and the cultural roots of political participation. This definition consolidates ideas from various accounts of the public imagination, the political imagination, the radical imagination, the pragmatic imagination, creative insurgency or public fantasy.
In some cases, the civic imagination is grounded in beliefs about how the system actually works, but we have a more expansive understanding stressing the capacity to imagine alternatives, even if those alternatives tap the fantastic. Too often, focusing on contemporary problems makes it impossible to see beyond immediate constraints.
This tunnel vision perpetuates the status quo, and innovative voices —especially those from the margins — are shot down before they can be heard.
