Alfred Doolittle is a smooth-talking garbage man, a serial monogamist (although he's not always really<span> married), a drunk, and a deadbeat dad. He's got a lot to say about "middle class morality" and complicated theories about the deserving and undeserving poor. He has principles, too, but they're not exactly conventional: he has no trouble milking five pounds from Higgins, but he doesn't want anymore than that. He wants just enough money to have a few drinks and some fun.</span>
In order to understand Doolittle, you have to understand how he speaks. This exchange is notable:
<span>DOOLITTLE ["most musical, most melancholy"] I'll tell you, Governor, if you'll only let me get a word in. I'm willing to tell you. I'm wanting to tell you. I'm waiting to tell you.
HIGGINS. Pickering: this chap has a certain natural gift of rhetoric. Observe the rhythm of his native woodnotes wild. "I'm willing to tell you: I'm wanting to tell you: I'm waiting to tell you." Sentimental rhetoric! That's the Welsh strain in him. It also accounts for his mendacity and dishonesty.</span><span> (2.232-3)</span>
He is the sum of his mysterious speaking ability. You can describe what Doolittle's saying with all sorts of fancy Greek words, but it's enough to note how he repeats those three phrases that Higgins singles out, and how his speech is sort of singsong-y. Whether or not we believe what Doolittle's talking about doesn't matter, it sounds nice. These skills get Doolittle into trouble when Higgins nominates him for some such speaking position…and he gets it, along with a generous income. He can't handle all the money; he doesn't want to be "touched" – asked to spare some change – in the same way he touched Higgins.
<span>Doolittle demonstrates how powerful and potentially dangerous words can be. Lucky for us, his intentions are (mostly) honorable. He's the character most prone to lecturing – yes, even more so than Higgins – and though his theories may not be entirely logical, his little sermons do raise some issues regarding class relations. Think of him this way: he's a stereotype of a drunken poor guy…with an oratorical twist.</span>
The correct word is “gazed”. The verb gaze is used to describe the action of looking / staring at something for a long period of time – be it because that something being watched is impressive or simply because the watcher is distracted and pensive. In the passage, the word gaze does NOT impact the mood.
What really impacts the mood in the passage are the other words – marvels, profound, wonder, mysterious, spectacle and phenomena – since their meaning convey an idea of something unnatural, exciting and incredible happening before the eyes of the narrator.
The passage was taken from the book <em>A Journey to the Centre of the Earth</em> by Julio Verne. The narrator is struggling to describe his sensations when he finds a gigantic cavern and the Central Sea below the surface of the Earth.
Answer:
Bethany Meilani Hamilton (born February 8, 1990) is an American professional surfer who survived a 2003 shark attack in which her left arm was bitten off and who ultimately returned to professional surfing. She wrote about her experience in the 2004 autobiography Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board. In April 2011, the feature film Soul Surfer was released. She also has a 2019 movie, Unstoppable, where she shows the struggles and happiness of her family.
Explanation:
https://en.wikipedia.org/wiki/Bethany_Hamilton
Answer:
2. A potion 3. Insomnia 4 and 5 I don't know
Explanation:
pls Mark me as brainlist
