Answer:
im stuck on that same question
Explanation:
I want to say the answer is heroic because he did think it would help
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places:
This technically means that you don’t know what’s coming u just live it:)
Answer:
"The Goophered Grapevine" is a work by Charles W. Chesnutt. It was first published in 1887.
Explanation:
The frame story in this short story is told by John. The Goophered Grapevine is about the history of ruined plantation in North Carolina. The frame story is about the trip of John and his wife to North Carolina. He goes there to see the grapevine and to pursue a business opportunity there. The embedded story is told by Julius McAdoo, who is the former slave. Both these story's convey's the message told in the story by showing the reader a contrast between the dialects of a North white and a slave.