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It is only possible to know the details and example that the author used, with the reading of the text. However, according to the knowledge we have about Cleopatra, we can infer that the author may have shown that because she was a woman, Cleopatra's leadership was often questioned and devalued and therefore, she needed support from men for the policies created by her were efficiently established. However, while these men helped her, they also wanted to take her power, making them unreliable.
Answer:
c) the frame holds up the building like table legs hold up a table
Explanation:
Answer:
Nick's bias becomes clear in the earliest pages of the book, when he tells us that <u>“there was something gorgeous about him [Gatsby], some heightened sensitivity to the promises of life.”</u> We are inclined to see Gatsby as a sensitive genius and to side with him in the romantic triangle between Gatsby, Daisy, and Tom.
Answer:
Jenny Daltry thinks that caring about one snake is symbolic of how the safety of one species will lead to the overall safety of the others slowly. And in that process, it is ensuring that some endangered species do not go extinct.
Explanation:
Jenny Daltry is a conservation biologist whose work mostly centers around the 'unwanted' animals of the animal kingdom such as snakes and reptiles. She focuses on taking care of, helping in spreading awareness, and helping conserve snakes, crocodiles, and another lesser- wanted animals.
When asked why she works for such animals in particular the Antiguan racers, she replied, <em>"To me, it’s symbolic. If you don’t care about this particular snake, why should you care about anything else? Each one is part of a great web."</em> To her, taking care of one snake is symbolic of how one single living being is a part of a bigger cycle of the living world. So, if one was to take care of even a single snake, then it is a small step to ensuring that the others are also safe and the whole web is made safe and taken care of.
Imagine how the actors move (like stage right, left, upper stage, etc.)