d. Printmaking originated during the 18th century, and was perfected in the 19th century.
Engraving, as a type of printmaking, is one of the oldest art forms. There have been found engraved designs made in the prehistoric years, like the ones that Sumerians made (The first people to migrate to Mesopotamia) approximately c. 3000 bce. This civilization used to engrave designs on cylinder seals, most of them made of stone, to multiplicate them on soft clay tablets, by rolling the cylinder.
About the 2nd century, the Chinese also developed a type of primitive printmaking, although more sophisticated than the Sumerians'. There have been found stone designs and seals, like Buddhist charms. There is also wood-block prints on textiles found in Egypt, that dates back to the 6th century approximately. And there is evidence that in the 15th century, Europeans used printing by rubbing or with a press to imprint royal seals and signatures. And the technique kept improving over the centuries.
Answer: E. Ended further German aggression until World War II began
Explanation:
The treaty of munich conceded the german speaking parts of Czechoslovakia to Nazi Germany, which demanded them on ground of being rightfully German since the population of these areas spoke the language. It was part of the policy of Appeasment in order to prevent another European war.
Although the agreement was celebrated at the time, it had convinced Hitler that neither France nor Great Britain would intervene if he decided to expand German territory. He invaded Poland in 1939, sparking WWII after Britain and France joined the war against Germany.
Homestead: a house, especially a farmhouse, and outbuildings.
Exodusters: a name given to African Americans who migrated from states along the Mississippi River to Kansas in the late nineteenth century, as part of the Exoduster Movement or Exodus of 1879. It was the first general migration of blacks following the Civil War.
Sod duster: a farmer or farm worker who plows the land
Answer:
A new generation of builders is devising daring structures that celebrate natural materials, push for eco-consciousness — and argue for a more democratic future
Explanation:
UNTIL LESS THAN a century ago, the Ayoreo peoples of Paraguay lived nomadically in the Chaco, a hot, dry region of savannas and thorn forests covering nearly 200 million acres spread across western Paraguay, southeastern Bolivia, northern Argentina and a small fringe of southern Brazil, a region once known by the Spanish as the infierno verde, or “green hell.” The Ayoreo were resourceful in building their modest shelters: Depending on the materials available to them, they might construct a low dome of leaves over branches cut from quebracho (ax breaker) trees, dig the hot earth out from underneath until they reached the cooler subsoil, then mix that excavated dirt with cactus sap, spreading the resultant thick paste between the leaves of the roof above to waterproof it. Settled into the hollowed ground beneath the dome, the interiors were cool and dim, a reprieve from the forest’s hostility. “These shelters don’t get recognition for being ‘green’ or ‘eco-friendly,’” says the 50-year-old architect José Cubilla, who’s based in Asunción, Paraguay’s capital, a slow-paced riverside city built at the point where the Chaco in the west meets the iridescent meadows and forests that unfurl across the country’s east. “But this is what interests me: obvious things, obvious solutions, simple materials.”
Answer:
The First Amendment of The Constitution!
Explanation: