Answer: pinchio tell ,l\\lye and he nose groq like tree
Explanation: wood boy nut ralea
Ani analyses how "DeLuca's haphazard patchwork of reasoning and evidence leaves the reader wondering whether he believes his own claim". According to Ani he quotes not only supporters of the Nobel price committee but also detractors. He includes a sampling of Dylan's lyrics and leaves them to speak for themselves.
The evidence (quotes) from the article that best supports Ani's evaluation are:
1. "And it’s a good thing [his lyrics] have been published, because if you’ve gone to see the famously sneering and syllable-garbling Dylan play live in recent years, you probably couldn’t understand a word he was singing."
We could interpret this quote as contradictory, it is not necessarily for or against Dylan's Nobel Price. You could say he is confusing his readers, he seems to be against the sung lyrics and for the published ones.
2. "On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless 'Masters Of War' . . . . It’s high dudgeon at its finest: ‘Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could?"
Ani also says that he does a sampling of the lyrics and allows them to speak for themselves. This excerpt shows part of a lyric from the song "Masters of War". He is not necessarily saying its a "good" or "bad" lyric, he describes it as: "vengeful, resolute, and timeless" the reader must decide about its quality or if it is the kind of work that deserves a Nobel Price.
. It was he who in 1842 virtually invented the genre<span> as we know it today, taking it from ... While experienced writers break Poe's rules as often as they </span>do<span> anyone else's, ... Briefly, Poe said that a </span>short story<span> should: ... </span>His<span> best short stories, such as “The </span>Tell-<span>tale </span>
Answer:
Part A: C. Constancia doesn’t realize the effect that her actions have on others
Part B: C. ”I don’t understand why she’s so upset"
Explanation:
This is the excerpt from Judith Ortiz Cofer's short story "Abuela Invents the Zero".
Although no specific dialogue is cited in the question, I'm assuming it refers to the dialogue between Constancia and her mother at the end of the story.
Constancia's grandmother comes to a visit and, being a Catholic, she wants to attend the Sunday mass. It is decided that Constancia will escort her to the church since her mothet is sick and her father stays to take care of her.
Constancia accepts reluctantly but the situation only gets worse when she feels embarrassed by her grandmother's appearance and behaviour at the church.
When Abuela gets lost in the church, Constancia doesn't help her at all, not wanting people to see them together.
This selfish act hurt Abuela so she doesn't speak to Constancia on their way home nor she accepts her help with walking.
This only shows that Constancia only cared about how her grandma embarrassed her and what her friend would say of this; she didn't care about her Abuela's feelings or helping her.
This can also best be seen from her excuses when mother confronts her and she still seems unaware of the fact she hurt her grandmother's feelings.
