False. Artists use the "elements of art" and "principles of design" because they have studied what colors, and elements make us humans feel a certain way when we look at their work. For instance, if an artist wanted people to portray sadness in his painting, he might use cool (or dark blues, blues, dark greens, greens) in his painting. The human mind has been known to have feelings of sadness when these "cool" tones are being viewed.
Answer:
maybe you r too scared that u might do something that u will regret
Explanation:
hope this helps
I think it is A. Natural Sculpture, because your question asks about a type of environment sculpture, so pretty sure it is natural from the environment. Hopefully it is right :)
I think the notes vary depending on the instrument, but here is the first octave of the scales for trombone/baritone. The bold is the arpeggios.
<u>F MAJOR SCALE:</u>
F G A B♭ C D E F
<u>B♭ MAJOR SCALE:</u>
B♭ C D E♭ F G A B♭
<u>E♭ MAJOR SCALE:</u>
E♭ F G A♭ B♭ C D E♭
<u>A♭ MAJOR SCALE:</u>
A♭ B♭ C D♭ E♭ F G A♭
<u>D♭ MAJOR SCALE:</u>
D♭ E♭ F G♭ A♭ B♭ C D♭
<u>G♭ MAJOR SCALE:</u>
G♭ A♭ B♭ C♭ D♭ E♭ F G♭
B MAJOR SCALE:
B C♯ D♯ E F♯ G♯ A♯ B
<u>E MAJOR SCALE:</u>
E F♯ G♯ A B C♯ D♯ E
<u>A MAJOR SCALE:</u>
A B C♯ D E F♯ G♯ A
<u>D MAJOR SCALE:</u>
D E F♯ G A B C♯ D
<u>G MAJOR SCALE:</u>
G A B C D E F♯ G
<u>C MAJOR SCALE:</u>
C D E F G A B C
Artistic value in a person when they're painting or performing art is an expressive technique for us to understand their contextual upbringings. Like music or other forms of art, composers and artists value their context as being the fundamental and concrete moral when they're doing art. Certain attributes connote to specific timespans and as we grow older to appreciate composers' artistic flair, the more we begin to understand about their past.
An exemplified example is a cinematic example, Metropolis (1927), this film is regarded as the forefront of modernist views, a pioneer that was underrated during its time. The dark ambiance, yet subtle hints at the destruction of the new sparked a new generation of Modernist and Post-Modernist views. Fritz Lang's use of silence in this film was a crucial cinematic technique during the 1920's, and with this being one of the last standing silent films, we know straight away that it is from that generation or that context.
Context also allows us to understand certain morale during the creation of art and we begin to contemplate with a change in perspectives, particularly when watching a film. Understanding context allows us, as responders, to truly be captivated by Da Vinci's The Last Supper or Van Gogh's Starry, Starry Night as we begin to dive into the minds of these people and their upbringings.
