Answer:
The correct answer is A. Outward appearances can be deceiving.
Explanation:
In the quote, we can see that Frankenstein's monster (if we should call him that) tells us how he is harmless and can even be beneficial (meaning, helpful, useful), but all people choose to see is his appearance rather than what's inside.
Namely, Doctor Frankenstein brought a corpse back to life and thus created his monster. Obviously, a reanimated corpse looks scary and people often cannot see beyond the physical, which is something the monster is lamenting in the quote above. He says that even though he may look like a monster, his characteristics are not monstrous, and that people shouldn't read the book by its cover (in other words, outward appearances can be deceiving).
I really dont know lol........
gross income is an intermediate earnings figure before all expenses are included, and net income is the final amount of profit or loss after all expenses are included. For a wage earner, gross income is the amount of salary or wages paid to the individual by an employer, before any deductions are taken.For a wage earner, net income is the residual amount of earnings after all deductions have been taken from gross pay, such as payroll taxes, garnishments, and retirement plan contributions.
The number 3 is everywhere in Dante Alighieri's Divine Comedy<span>. For one thing, the poem itself is structured according to the rhyme scheme terza rima, which uses stanzas of three lines that employ interlocking rhymes (aba bcb cdc, etc.). Additionally, there are nine circles of Hell (three multiplied by three), Satan has three faces, and three beasts (a lion, a leopard, and a wolf) threaten Dante at the beginning of the Inferno. There are many more examples of three, but the overall important thing to understand is that the number three largely governs the structure of Dante's poem. Indeed, you can think of the number three as the scaffolding on which the rest of the poem's content is hung. This number is significant because three is a central number in the Judaeo-Christian tradition, especially in terms of the Trinity (Father, Son, and Holy Spirit). As such, just as the whole of the Christian world is governed by a three-in-one God, Dante's poem is governed by the number three. Thus, Dante's obsession with the number three mirrors the prevalence of three in the Christian tradition. </span><span />
