B. adapted. It is the word that makes the most sense in the context of the sentence.
Answer:
Esperanza experiences shame and embarrassment, like the nun that makes her feel ashamed about where she lives when she wants to eat at school. She was also embarrassed about her shoes at the party. When Esperanza has her first job, she is embarrassed because she doesn't know whether to stand up or sit down, and she eats her lunch in the bathroom.
Explanation:
Esperanza's shame is self-imposed. People do not try to make Esperanza feel bad. Even with the nun, Esperanza gets herself out of shame once she gets to the canteen. To succeed, Esperanza must overcome society's obstacles and also her own feelings of shame.
Answer:
A. A chronological structure.
Explanation:
According to a different source, these are the options that come with this question:
A. A chronological structure.
B. A cause and effect structure.
C. A problem- solution structure.
D. A compare and contrast structure.
The best structure to use in this example is a chronological structure. Chronological structures organize the events presented in a text in the same order in which they happened in real life. This allows the reader to imagine how such events were connected, and how one gave rise to the next. This approach is particularly useful when we are discussing historical events.
Answer:
Orsino, the lovesick duke of Illyria, speaks these lines. He introduces the audience to the theme of love as overpowering and fickle. He calls sweet music the "food of love" and wants "an excess of it" so that he can satisfy his appetite for it. However, when the music is no longer sweet, Orsino compares it to the sea. Like the sea, it engulfs everything and debases its value to a "low price." He concludes that love can change from sweet music to an engulfing sea in a matter of one minute. He also suggests that it shifts shape at whim. The fickleness of love reflects Orsino's own inconstant nature, casting him as self-indulgent and melodramatic. Finally, because Orsino never names the object of his love in these opening lines, the emotional outpouring indicates that Orsino is consumed more by the idea of love than by love for Olivia.
Explanation:
