Answer:
Borrows and Remembers
Explanation:
I think this is what you meant, to correct the words, right?
According the authors, you practice the ethical use of language by searching for understanding before you speak and think hard about your own beliefs.
Although ethical language makes use of words, terminology, and phrases from everyday speech, their meanings are frequently different. Words like "good" have many diverse meanings in common speech, but they also have a diversity of "meanings when used in moral philosophy".
The process of practicing the ethical use of language starts as soon as you start thinking of speech topics. You have ethical obligations to uphold every time you prepare to speak in front of an audience, whether it be at a formal speaking event or an on-the-spot pitch at work. Your capacity to be truthful while eliminating plagiarism and your capacity to define and achieve ethical speaking goals are the two key components of ethical communication.
To learn more about ethical language here
brainly.com/question/1808259
#SPJ4
The setting's role in helping to establish characterization in a story is it shows how characters react to or interact with their surroundings.
<h3>What is the importance of setting's role in a story?</h3>
The setting of the story is an important part of the story because it relates the readers and viewers with the context, place, mood, environment of the story and where the story is taking place, so that reader can understand more about the story.
Thus, the correct option is B. It shows how characters react to or interact with their surroundings.
Learn more about setting's role in a story
brainly.com/question/1767258
#SPJ1
The answer to this question is 40ft I’m height
Answer:
Option C
Explanation:
“An Occurrence at Owl Creek Bridge” is an elaborately devised commentary on the fluid nature of time. The story’s structure, which moves from the present to the past to what is revealed to be the imagined present, reflects this fluidity as well as the tension that exists among competing notions of time. The second section interrupts what at first appears to be the continuous flow of the execution taking place in the present moment. Poised on the edge of the bridge, Farquhar closes his eyes, a signal of his slipping into his own version of reality, one that is unburdened by any responsibility to laws of time. As the ticking of his watch slows and more time elapses between the strokes, Farquhar drifts into a timeless realm. When Farquhar imagines himself slipping into the water, Bierce compares him to a “vast pendulum,” immaterial and spinning wildly out of control. Here Farquhar drifts into a transitional space that is neither life nor death but a disembodied consciousness in a world with its own rules.
