Yes.
it is not possible under current U.S. law to copyright or protect an idea. (You also cannot copyright a title.) So, how much precaution should you take to keep your ideas secret?
Very little. I guarantee that others have similar ideas; you see it happen all the time in the business. Chalk it up to cultural zeitgeist. While I don’t advocate advertising your idea far and yon, or putting flashing lights around it on your blog, the chances that an agent, editor, critique partner, or stranger will:
(a) steal your idea
(b) execute your idea better than you
(c) AND be able to sell it
… are next to zero. It is not worth worrying about. Share your work with trusted advisers, send it to agents/editors for consideration, and talk about aspects of it on your blog. No problem. Unless you are known in the industry for coming up with million-dollar high concepts, it’s not likely you’ll experience idea theft.
Also, I love Jeanne Bowerman‘s take on this fear: Sure, someone can steal your idea, but they can’t possibly execute it or interpret it in the same way you can. No one can be you. That is your best protection of all.
Answer:
“how to go to dinner with a brother on drugs”
you try
Explanation:
A timeline is a graphical representation of time where important events are marked. A timeline is therefore important because it helps one record events from either a story or history in an orgarnised order, which can also be used to write summaries
Answer:
revenge is when u want to get back at someone for something but wanting to somehow hurt them in the way it could be physically or emotionally. And justice is when something seems unfair and u try to make it fair
Explanation:
Motivation cannot be revealed through a dialogue.
(a) A character can give a narrative of a part or parts of the story (exposition) to another character. For example: Jane says, "Yesterday, it was raining hard. I can see my mother, who was from work, soaked and coughing."
(b) A character can have a dialogue about conflict, too. For example: Jane says, "I don't know what to do. Do I stop going to school and work instead? Do I leave my mother to suffer from her sickness?"
(c) Motivation is NOT a narrative element. It can, therefore, be eliminated based on this ground alone.
(d) Though not common, stage directions can sometimes be used in a dialogue. This is common in modern plays. For example: Jane says, "I move forward, and reach out to the audience. Can you see my tears? Can you feel my pain?"