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gtnhenbr [62]
3 years ago
13

The rococo style was influenced by the

Arts
2 answers:
Komok [63]3 years ago
7 0
C is the correct answer
DENIUS [597]3 years ago
7 0

Correct answer choice is:

C. Extravagance of Versailles

Explanation:

An unusual but in some styles besides the formal type of Rococo developed in France where Louis XIV's continuation instituted a variance in the court painters and prevailing aesthetic style. By the end of the king's continued reign, rich Baroque patterns were yielding way to moderate components with more curves and intrinsic exemplars. These components are explicit in the compositional patterns of Nicolas Pineau. During the Régence, court life passed away of Versailles and this creative development became well instituted, leading in the royal palace and then during French high culture.

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Fill in the blank with the letter of the description that best matches the term.
Lady bird [3.3K]

Answer:

1. J

2. F

3. E

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5. G

6. A

7. C

8. I

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10. D

Explanation:

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3 0
3 years ago
The term ballad in the nineteenth century referred to a A. ghost story. B. true story. C. love song. D. narrative poem.
Anna71 [15]

your answer is C.) love song.  C!!

4 0
3 years ago
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4 0
3 years ago
Look at this detail from the central panel of the portinari altarpiece by Hugo van Der goes
irga5000 [103]

<u>Answer:</u>

<em>Dante had adored Beatrice from far off since adolescence and she turned into his dream after she had kicked the bucket youthful. Tommaso Portinari was a relative of a similar family.</em>

<u>Explanation:</u>

The <em>Portinari Altarpiece</em> was made for the congregation of San Egidio in the medical clinic of Santa Maria Nuova in Florence and it is presently in the <em>Uffizi Gallery. </em>

He finished altarpieces, pictures, court commissions, and metro ventures. Maybe a couple of his unique works have endure, in any case, we have <em>numerous duplicates of his works.</em>

7 0
3 years ago
The design of the Taj Mahal and gardens uses what type of semmetry
hram777 [196]
THE SYMMETRY

The architecture was to express this concept through perfect symmetry, harmonious proportional relationships, and the translucent white marble facing which gives the purity of the geometrical and rational planning the desired unworldly appearance. The mausoleum is raised over an enriched version of the nine-fold plan favoured by the Mughals for tombs and garden pavilions.

A variant is used in the great gate. In the mausoleum the plan is expressed in perfect cross-axial symmetry, so that the building is focused on the central tomb chamber. And the inner organization is reflected on the facades, which present a perfectly balanced composition when seen from the extensions of the axes which generate the plan.

Bilateral symmetry dominated by a central accent has generally been recognized as an ordering principle of the architecture of rulers aiming at absolute power, as an expression of the ruling force which brings about balance and harmony, 'a striking symbol of the stratification of aristocratic society under centralized authority'. A symmetric grading down to the minutest ornamental detail, particularly striking is die-hierarchical use of colour. The only building in the whole complex entirely raced with white marble is the mausoleum. This hierarchic use of white marble and red sandstone is typical of imperial Mughal architecture !
8 0
3 years ago
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