Answer:
Rainsford kills Zaroff
Explanation:
At the end of the short story, Rainsford wills the most dangerous game and later on, Rainsford duels Zaroff and Rainsford sleeps comfortably in his bed.
I'm not sure if this is what you're looking for but I hope this helps! :)
10.) An angel
11.) He accepts an insincere dinner invitation
12.) An education in the ways of new money
13.) Dan Cody gives Gatsby experiences that makes him want to presue a life of wealth
14.) Old money means money passed down through family, new money means money earned
15.) 3 years
16.) False
Credit to CassidyHarper
Answer:
A He doesn't trust them
Explanation:
<u>Hamlet has a distrust towards women, as well as certain prejudices. </u>He states “Frailty, thy name is women!” which is connected to low morals and weakness.
<u>His distrust quite likely comes from the fact that he learns he can’t trust his mother, the woman who is closest to him in his life. </u>This comes from the fact she has played a role in his father’s murder. He starts feeling dislike towards her, but also towards all the women.
We can see that in his treatment of Ophelia – while he claims his love to her, he also says very harsh words to her later on. <u>He says she presents herself as two-faced, doesn't believe she really is pure, and dismisses her. </u>
Hamlet also states he “will have no more marriages”, underlying he is done with his connection to all women, which also reflects his lack of faith and wariness in females.
A really powerful writing technique, in my opinion, is keeping a journal. It provides you a first person account and enables you to interact closely with the author of the diary.
It feels almost intimately personal, as though you are speaking directly with the author. It does become remembered since I am fully aware of how someone can feel about a certain subject. I like to know what a protagonist is thinking and feeling in a certain scenario. The unquestionably increases its attraction tremendously. Either you or the author of the writing may come across as speaking to or being understood by the reader. It will be less fascinating if it is lengthier, for instance.
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The drama is a very ancient form of art, and reached a high pitch of excellence in ancient Greece, which produced such great dramatists as Aeschylus, Sophocles, Euripides and the satirist Aristophanes. The Greeks were passionately fond of the theatre, and crowded to see and hear the plays of these great poets.
In England, the drama came into full flower in the age of Queen Elizabeth, and the number of able Elizabethan dramatists, of whom Shakespeare was the greatest, shows what an intense interest the English people took in the theatre.
The actual theaters in those days were very primitive, and scarcely any scenery was used; but the dramas produced are the greatest in English literature.
Theatres today are places of amusement, resorted to, as a rule, in the evening after the work of the day. The buildings are large and comfortable, and the scenery is magnificent and realistic.
The scenic arrangements delight the eye, the music charms the soul, and the situations created by the plot are such as to arouse the interest, and make us lose the sense of our own troubles and worries in sympathy with the joys and sorrows of those who are impersonated upon the stage.
Theatres being looked upon, in modern times, largely as places of recreation, the public demands amusement, “and those representations which are of a cheerful and joyous nature, those plots which involve the characters in trouble and leave them in possession of unalloyed happiness, are the most popular, even though in many cases they are untrue to life. There is, however, another side to the question. The English stage was most flourishing in the time of Queen Elizabeth. The dramatists of that day looked upon amusement as only a part of their duties. Many men of lofty and penetrating intellect used the theatre as a medium for the expression of their thoughts and ideas.
Their aim was to ennoble and elevate the audience, and imbue it with their own philosophy, by presenting noble characters working out their destiny amid trials and temptations, and their pictures, being essentially true to nature, acted as powerful incentives to the cultivation of morality.
Shakespeare stands preeminent among them all, because by his wealth of inspiring thought he gives food for reflection to the wisest, and yet charms all by his wit and humour and exhibits for ridicule follies and absurdities of men.
It is a great testimony to the universality of his genius that, even in translations, he appeals to many thousands of those who frequent Indian theatres, and who differ so much in thought, customs and religion from the audiences for which he wrote.
