Metonymy
Personification
Simile
Paradox
Before we can decide which of the above literary devices Milton used in his poem, On His Being Arrived to the Age of Twenty-Three (1631), we must first understand all of our options.
First, let's consider metonymy. Metonymy means to substitute one word for another which has attributes associated with the overall idea being conveyed. For example, when we say, "He was fishing for information," the word "fishing" represents stealth and the idea of someone slyly collecting information by luring out what they want to know. Other examples of metonymy are, "She really hogged the microphone!" and, "The pen is mightier than the sword."
The second option, personification, is a technique whereby an author turns a thing or an idea into a person by giving it human qualities or personality traits. Things in nature are oftentimes personified in poetry and prose. Some good examples of personification are, "The sun smiled upon the fields," and "The angry ocean swallowed the ship whole."
Noun plural -cies
Also called: transparence the state of being transparent. Also called: slide a positive photograph on a transparent base, usually mounted in a frame or between glass plates. It can be viewed by means of a slide projector...!!!! Hope it helps out
Answer: If the paint is wet simply wait till it dries and then paint the stars
Explanation: White paint (being so bright) will go over any color much like black. You must wait for it to dry to avoid blending
Answer:
Duck means pet animals
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Answer:
Leyster used tenebrism for added drama.
Picasso showed a single figure from multiple views for added drama.
Explanation:
- Cubism is preoccupied with the problem of the "object" that needs to be reconstructed, as opposed to the vagueness and impermanence of the Impressionist surface.
- Everything that relies on subjectivity or a particular and firm view must be eliminated in order to arrive at an overall, conceptual, complete variant of form ("If the senses deform, only the spirit forms").
- Picasso's statement: "I paint objects as I imagine them, not how I see them," supports this thesis. In Cubism, the influence of African art is also present, and the basis is the cube. The Cubists in the picture show simultaneously (at the same time) what we can really only see in succession (in the sequence of time, consecutively).
- Dutch Golden Age painter Judith Leyster often depicts middle-class Dutch people in work and in leisure in her paintings.
