Answer: the answer is C, a list of all the sources used to write a report.
Answer:
According to the Jim Crow Museum of Racist Memorabilia at Michigan’s Ferris State University, a white minstrel show actor named Thomas Dartmouth “Daddy” Rice (1808-1860) performed solo skits based on a stereotypical black character named Jim Crow. Rice’s highly exaggerated performance manner was, mostly, based on showing blacks as lazy “darkies” and as natural-born musical talents whose behavior was nonetheless childlike and buffoonish. The name Jim Crow.
Explanation:
Answer:
:My Love" or "Everyday"
Explanation:
The result of this meeting was a song called "My Love", which was promptly renamed to "Everyday" after Starr commented that McCartney had already used the title. The song was demoed under that name by Starr, Hudson, Grakal, and guitarist Steve Dudas. Happy with this session, the quartet followed it up with more recordings the following month, at Los Angeles's Whatinthewhatthe? Studios. There the musicians recorded two tracks: "Mr. Double-It-Up" and "One", the latter of which, per Grakal's lyric sheet, was originally called "All It Takes Is One". For these sessions, Starr played the drum set he had used during his time with the Beatles.
buono giornata - DevinChi
<span>Pablo Ruiz Picasso was born on October 25, 1881, in Málaga, on the southern Spanish coast. He was christened Ruiz after his father, and Picasso after his mother, in the traditional Spanish way. His background was modest; his father, José Ruiz Blasco, supported his family by teaching drawing at the local art school. Picasso was introduced to art by his father, who loved to paint the pigeons that flocked in the plaza outside the family home. Sometimes Picasso's father asked his young son to finish his paintings for him; the precocious boy was more than able to do so. By the time he was 13, his budding talent already overshadowed his father's. He very quickly grasped naturalistic conventions in his drawing; he said later, "I never drew like a child. When I was 12, I drew like Raphael." The imagery of his earliest work was derived from both conventional academic studies–the usual subjects that artists trained themselves on at the time, such as figure studies based on plaster casts–and his fascination with the bullfight, which he shared with his father.</span>
