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qaws [65]
3 years ago
9

Why did the Gothic master builders use geometric lines and patterns in their designs?

Arts
1 answer:
Anni [7]3 years ago
6 0

Answer:

Why did the Gothic master builders use geometric lines and patterns in their designs?

<em>A. They believed that geometrical relationships symbolized the divine order of the universe</em>

<em>B. They believed that geometrical patterns made the structure more imposing</em>

<em>C. They believed that geometrical lines would direct the worshiper's gaze to the vaults</em>

Explanation:

Why did the Gothic master builders use geometric lines and patterns in their designs?

<u><em>A. They believed that geometrical relationships symbolized the divine order of the universe</em></u>

<em>B. They believed that geometrical patterns made the structure more imposing</em>

<em>C. They believed that geometrical lines would direct the worshiper's gaze to the vaults</em>

<em />

<u>*** This answer is correct because I got it correct on #PLATO!!! 5/5</u>

<u></u>

<em>PLEASE MARK ME AS BRAINLEST AND DONT FORGET TO RATE AND LIKE!!!! THANK YOU!!!!!</em>

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Setting dance choreography can be a daunting task. Whether you are a new or seasoned choreographer, you may find yourself at a creative block during some part of the process. These are perfect opportunities to be daring and think outside of the box!

Use whatever challenge you are facing to create something new. Choreographing is a work of passion and expression that can be rewarding despite difficulties that may arise.

Often times when people think of dance, they may imagine traditional ballet and jazz dance. In these more traditional forms, the choreography may follow the music exactly and use a structure such as ABA – theme, variation on the theme, and repetition of the theme.

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Different use of these elements can produce varying results when choreographing. Be conscious and aware of how you use them – they can open up doors and also cause our creative process to come to a standstill. Use them wisely!

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Instead of starting at the beginning and plowing all the way through, why not start in the middle? Or, begin working with several movement phrases and just see where it takes you.

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3. Choreograph without music.

If you ever feel stuck choosing music, or you are working with a composer creating an original score, try choreographing without music at first. This will create a dramatically different effect on the relationship between the dance movement and the music. This works particularly well with more ambient, sparse soundscapes.

4. Look at the basic elements of your dance: shape, space, time, and energy.

You can create entire dances based on one element alone, or use these individual elements to create variations on your dance phrases. Step back and brainstorm ideas about each element through writing. Then, explore your ideas through movement.

5. Choose to create a piece outside of the theater, or in a nontraditional space.

You could make a site-specific work in a park, or produce a concert in a black box theater to help break up the frontal monotony of theater dance work. In these nontraditional venues, the audience is often given a new perspective from which to view dance because they are more up close and personal. There is little to no barrier between the dancers and the audience in these settings. The audience may get a 360 degree perspective or simply sit somewhere very close to the dancers.

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If you tend to move a certain way and create dances that all contain similar movement qualities, challenge yourself to create a movement study in ways that oppose your natural habits. You can create an entire piece off of this idea; or, use it as a way to contrast your movement in other choreographic works.

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If you ever feel stumped for ideas, consider how you can use other art forms or something seemingly completely unrelated to dance to create a new dance work. For example, you could incorporate live music or live painting into the dance. Another idea would be to work with a scientist or anthropologist closely on a topic that interests you to base movement from.

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